Bibliography for FI314: Postmodernism and New Hollywood BETA

Altman, R. et al. (2005) ‘Gosford Park’. [U.K.]: Channel 4.

Appignanesi, L., Bennington, G., and Institute of Contemporary Arts (London, England) (1986) Postmodernism: ICA Documents. London: Institute of Contemporary Arts.

Arroyo, J. (2000) ‘Mission: Sublime.’, in Action/spectacle cinema: a sight and sound reader. London: British Film Institute, pp. 21–25. Available at: https://contentstore.cla.co.uk/secure/link?id=0b32aa69-5920-e711-80c9-005056af4099.

Baron, C. (1998) ‘The Player’s Parody of Hollywood’, in Postmodernism in the cinema. New York: Berghahn, pp. 20–43. Available at: https://contentstore.cla.co.uk/secure/link?id=311c6080-5620-e711-80c9-005056af4099.

Barry, P. (1995) Beginning Theory: an Introduction to Literary and Cultural Theory. Manchester: Manchester University Press.

Baudrillard, J. (1983) Simulations. New York: Semiotext[e].

Baudrillard, J. (1988a) America. London: Verso.

Baudrillard, J. (1988b) America. London: Verso.

Baudrillard, J. (1994) Simulacra and Simulation. Ann Arbor: University of Michigan Press.

Best, S. and Kellner, D. (1991) Postmodern Theory: Critical Interrogations. London: Macmillan.

Blomkamp, N. et al. (2009) ‘District 9’. London: Sony Pictures Home Entertainment.

Bobin, J. et al. (2012) ‘The Muppets’. [U.K.]: Walt Disney Studios Home Entertainment.

Boggs, C. (2003) ‘Ludic Postmodernism and Beyond’, in A world in chaos: social crisis and the rise of postmodern cinema. Lanham, Md: Rowman & Littlefield Publishers, pp. 174–185. Available at: https://contentstore.cla.co.uk/secure/link?id=63dbf1e2-5520-e711-80c9-005056af4099.

Boggs, C. and Pollard, T. (2003) A World in Chaos: Social Crisis and the Rise of Postmodern Cinema. Lanham, Md: Rowman & Littlefield Publishers.

Booker, K. (2007) ‘Like Something from a Movie.’, in Postmodern Hollywood: what’s new in film and why it makes us feel so strange. Westport, Conn: Praeger, pp. 89–150. Available at: https://contentstore.cla.co.uk/secure/link?id=cfd12a07-5520-e711-80c9-005056af4099.

Bordwell, D., Staiger, J. and Thompson, K. (1985) The Classical Hollywood Cinema: film style & mode of production to 1960. London: Routledge & Kegan Paul.

Bordwell, D., Staiger, J. and Thompson, K. (1988) The Classical Hollywood Cinema: film style & mode of production to 1960 [electronic resource]. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.warwick.ac.uk/idp/shibboleth.

Brooker, P. (1997) ‘Pulpmodernism : Tarantino’s affirmative action.’, in Postmodern after-images: a reader in film, television and video. London: Arnold, pp. 89–100. Available at: https://contentstore.cla.co.uk/secure/link?id=5d578a20-5520-e711-80c9-005056af4099.

Brooker, P. and Brooker, W. (1997) Postmodern After-Images: a Reader in Film, Television and Video. London: Arnold.

Brooker, W. (2012) ‘The Never-Ending War: Deconstruction and the Dark Knight’, in Hunting the Dark Knight: twenty-first century Batman. London: I.B. Tauris, pp. 178–210. Available at: https://contentstore.cla.co.uk/secure/link?id=40777b86-5620-e711-80c9-005056af4099.

Bruzzi, S. and Gibson, P.C. (2000) Fashion Cultures: Theories, Explorations, and Analysis. London: Routledge.

Bukatman, S. (1993) Terminal Identity: the Virtual Subject in Postmodern Science Fiction. Durham: Duke University Press.

Butler, J (2006) ‘From Interiority to gender performatives’, in Gender trouble: feminism and the subversion of identity. New York: Routledge, pp. 183–193. Available at: https://contentstore.cla.co.uk/secure/link?id=4bf0293f-5520-e711-80c9-005056af4099.

Butler, Judith (2006a) Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.

Butler, Judith (2006b) Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.

Cahoone, L.E. (2003) From Modernism to Postmodernism: an Anthology. Expanded 2nd ed. Oxford: Blackwell Pub.

Connor, S. (1997a) Postmodernist Culture: an Introduction to Theories of the Contemporary. 2nd ed. Oxford: Blackwell.

Connor, S. (1997b) Postmodernist Culture: an Introduction to Theories of the Contemporary [electronic resource]. 2nd ed. Oxford, Oxfordshire: Blackwell. Available at: http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=48699.

Connor, S. (2004a) The Cambridge Companion to Postmodernism. Cambridge, UK: Cambridge University Press.

Connor, S. (ed.) (2004b) The Cambridge Companion to Postmodernism. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CCOL0521640520.

Connor, S. (2004c) The Cambridge Companion to Postmodernism. Cambridge, UK: Cambridge University Press.

Connor, S. (ed.) (2004d) The Cambridge Companion to Postmodernism. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CCOL0521640520.

Constable, C. (2005) Thinking in Images: Film Theory, Feminist Philosophy and Marlene Dietrich. London: BFI.

Constable, C. (2006) ‘Baudrillard Reloaded: Interrelating Philosophy and Film via The Matrix Trilogy’, Screen, 47(2), pp. 233–249. Available at: https://doi.org/10.1093/screen/hjl018.

Constable, C. (2009) Adapting Philosophy: Jean Baudrillard and The Matrix Trilogy. Manchester, UK: Manchester University Press.

De Palma, B. (1998) ‘Mission Impossible’. [s.l.]: SKY.

Degli-Esposti, C. (1998a) ‘Introduction: Postmodernism(s)’, in Postmodernism in the Cinema. New York: Berghahn. Available at: https://contentstore.cla.co.uk/secure/link?id=1add0e57-24f8-e611-80c9-005056af4099.

Degli-Esposti, C. (1998b) Postmodernism in the Cinema. New York: Berghahn.

Denzin, N.K. (1991) Images of Postmodern Society: Social Theory and Contemporary Cinema. London: Sage.

Denzin, N.K. (1995) The Cinematic Society: the Voyeur’s Gaze. London: Sage.

Doane, M.A. (1991) Femmes Fatales: Feminism, Film Theory, Psychoanalysis. New York: Routledge.

Docherty, T. (1993) Postmodernism: a Reader. London: Harvester Wheatsheaf.

Durham, M.G. and Kellner, D. (2012) Media and Cultural Studies: Keyworks. 2nd ed. Malden: Wiley-Blackwell.

Dyer, R. (2007) Pastiche. London: Routledge.

Edwards, B. et al. (2002) ‘Victor/Victoria’. Burbank, CA: Warner Home Video.

Florence, P. and Foster, N. (2000) Differential Aesthetics: Art Practices, Philosophy and Feminist  Understandings. Aldershot: Ashgate.

Foster, H. (1985) Postmodern Culture. London: Pluto.

Friedberg, A. (1993) Window Shopping: Cinema and the Postmodern. Berkeley: University of California Press.

Friedberg, Anne. (1993) Window Shopping: Cinema and the Postmodern. University of California Press. Available at: http://0-quod.lib.umich.edu.pugwash.lib.warwick.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08213.0001.001.

Fuss, D. (1991) Inside/Out: Lesbian Theories, Gay Theories. New York: Routledge.

Garrett, R. (2007) Postmodern Chick Flicks: the Return of the Woman’s Film. Basingstoke: Palgrave Macmillan.

‘Gender as Performance, An Interview with Judith Butler’ (no date). Available at: http://0-www.radicalphilosophy.com.pugwash.lib.warwick.ac.uk/wp-content/files_mf/rp67_interview_butler.pdf.

Gillis, S. (2005) The Matrix Trilogy: Cyberpunk Reloaded. London: Wallflower.

Gledhill, C. and Williams, L. (2000) Reinventing Film Studies. London: Arnold.

Gray, C.H. (1995) The Cyborg Handbook. New York: Routledge.

Haraway, D. (1991) ‘A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century’, in Simians, cyborgs and women: the reinvention of nature. London: Free Association, pp. 149–181. Available at: https://contentstore.cla.co.uk/secure/link?id=505bc28c-5620-e711-80c9-005056af4099.

Haraway, D.J. (1991a) Simians, Cyborgs and Women: the Reinvention of Nature. London: Free Association.

Haraway, D.J. (1991b) Simians, Cyborgs, and Women: the Reinvention of Nature [electronic resource]. New York: Routledge. Available at: http://WARW.eblib.com/patron/FullRecord.aspx?p=1195818.

Hill, J. and Gibson, P.C. (1998) The Oxford Guide to Film Studies. Oxford: Oxford University Press.

Hutcheon, L. (1988a) A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge.

Hutcheon, L. (1988b) A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge.

Hutcheon, L. (2002) ‘The Politics of Parody’, in The politics of postmodernism. 2nd ed. London: Routledge, pp. 89–113. Available at: https://contentstore.cla.co.uk/secure/link?id=9e2b1139-5520-e711-80c9-005056af4099.

Jameson, F (1991) ‘Nostalgia for the Present’, in Postmodernism: or, The cultural logic of late capitalism. London: Verso, pp. 279–296. Available at: https://contentstore.cla.co.uk/secure/link?id=65cbcc6c-5620-e711-80c9-005056af4099.

Jameson, Fredric (1991a) Postmodernism: or, The Cultural Logic of Late Capitalism. London: Verso.

Jameson, Fredric (1991b) Postmodernism: or, The Cultural Logic of Late Capitalism. London: Verso.

Jencks, C., Branscome, E. and Szacka, L.-C. (2011a) The Post-Modern Reader. 2nd ed. Chichester, West Sussex, U.K.: Wiley.

Jencks, C., Branscome, E. and Szacka, L.-C. (2011b) The Post-Modern Reader. 2nd ed. Chichester, West Sussex, U.K.: Wiley.

Joseph P. Natoli (2001) Postmodern Journeys: Film and Culture 1996-1998. Albany, N.Y: State University of New York Press.

King, G. (2000) Spectacular Narratives: Hollywood in the Age of the Blockbuster. London: I.B. Tauris Publishers.

Kuhn, A. (1990) Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. London: Verso.

Lucy, N. (1997a) Postmodern literary theory: an introduction. Oxford: Blackwell.

Lucy, N. (1997b) Postmodern literary theory: an introduction. Oxford: Blackwell.

Lyotard, J.-F. (1984) The Postmodern Condition: a Report on Knowledge. Manchester: Manchester University Press.

Lyotard, J.-F. (1992) ‘Note on the meaning of “post-”.’, in The postmodern explained to children: correspondence 1982-1985. Sydney: Power Publications, pp. 87–93. Available at: https://contentstore.cla.co.uk/secure/link?id=65cbcc6c-5620-e711-80c9-005056af4099.

Malpas, S. (2005) The Postmodern. London: Routledge.

Marris, P. and Thornham, S. (1996) Media Studies: a Reader. Edinburgh: Edinburgh University Press.

McRobbie, A. (1994a) Postmodernism and Popular Culture. London: Routledge.

McRobbie, A. (1994b) Postmodernism and Popular Culture. London: Routledge.

Merrin, W. (2003) ‘Did You Ever Eat Tasty Wheat?’ Available at: http://www.nottingham.ac.uk/scope/documents/2003/may-2003/merrin.pdf.

Merrin, W. (2005) Baudrillard and the Media: a Critical Introduction. Cambridge, UK: Polity.

Nietzsche, F.W. and Breazeale, D. (1979) Philosophy and Truth: selections from Nietzsche’s notebooks of the early 1870’s. Atlantic Highlands, N.J.: Humanities Press.

Nietzsche, F.W. and Kaufmann, W.A. (1971) The Portable Nietzsche. Revised ed. London: Chatto and Windus.

Roberta Garrett (no date) Postmodern Chick Flicks : The Return of the Woman’s Film. Available at: http://lib.myilibrary.com/Open.aspx?id=85745&src=0.

Rovira, J. (no date) ‘Subverting the Mechanisms of Control: Baudrillard, The Matrix Trilogy, and the Future of Religion’. Available at: http://www2.ubishops.ca/baudrillardstudies/vol2_2/rovira.htm.

Schatz, T. (1993) ‘The New Hollywood’, in Film theory goes to the movies. London: Routledge, pp. 8–36. Available at: https://contentstore.cla.co.uk/secure/link?id=d5982dfa-5720-e711-80c9-005056af4099.

Scott, R. et al. (2007) ‘Bladerunner: the final cut’. [S.l.]: Warner Bros.

Silver, J. et al. (2004) ‘Matrix Reloaded’. [U.K.]: Warner Home Video (UK).

Simon Malpas (no date) The Postmodern. Available at: http://lib.myilibrary.com/Open.aspx?id=6358&src=0.

Stam, R. (2000) Film Theory: An Introduction. Malden, Mass: Blackwell.

Stam, R. and Raengo, A. (2005) Literature and Film: a Guide to the Theory and Practice of Film Adaptation. Malden, MA: Blackwell.

Tarantino, Q. et al. (2010) ‘Reservoir Dogs’. [U.K.]: Lions Gate Home Entertainment.

Travers, M. (1998) An Introduction to Modern European Literature: from Romanticism to Postmodernism. Basingstoke: Macmillan.

Verevis, C. (2006) Film Remakes. Edinburgh: Edinburgh University Press.