@article{Áine O’Healy_1988, title={Re-envisioning Moravia: Godard’s ‘Le Mépris’ and Bertolucci’s ‘Il conformista’}, volume={6}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/24004195}, journal={Annali d’Italianistica}, publisher={Annali d’Italianistica, Inc.}, author={Áine O’Healy}, year={1988}, pages={148–161} }
@book{Andall_Duncan_2005, address={Oxford}, title={Italian colonialism: legacy and memory}, publisher={Peter Lang}, author={Andall, Jacqueline and Duncan, Derek}, year={2005} }
@article{Angelone, AnitaClò, Clarissa_2011, title={Other visions: Contemporary Italian documentary cinema as counter-discourse.}, volume={5}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1386/sdf.5.2-3.83_7}, number={2}, journal={Studies in Documentary}, author={Angelone, AnitaClò, Clarissa}, year={2011}, pages={83–89} }
@book{Antonello_Mussgnug_2009, address={Oxford}, title={Postmodern impegno: ethics and commitment in contemporary Italian culture}, volume={v. 4}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2876308}, publisher={Peter Lang}, author={Antonello, Pierpaolo and Mussgnug, Florian}, year={2009} }
@book{Barański_University College, Dublin. Foundation for Italian Studies_1999, address={Dublin}, title={Pasolini old and new: surveys and studies}, publisher={Four Courts Press for the Foundation for Italian Studies, University College Dublin}, author={Barański, Zygmunt G. and University College, Dublin. Foundation for Italian Studies}, year={1999} }
@book{Bazin_Gray_2005, address={Berkeley}, title={What is cinema?}, publisher={University of California Press}, author={Bazin, André and Gray, Hugh}, year={2005} }
@book{Bertellini_2004a, address={London}, title={The cinema of Italy}, volume={24 frames}, publisher={Wallflower}, author={Bertellini, Giorgio}, year={2004} }
@book{Bertellini_2004b, address={London}, title={The cinema of Italy}, publisher={Wallflower}, author={Bertellini, Giorgio}, year={2004} }
@book{Bertellini_2004c, address={London}, title={The cinema of Italy}, volume={24 frames}, publisher={Wallflower}, author={Bertellini, Giorgio}, year={2004} }
@book{Bertellini_2004d, address={London}, title={The cinema of Italy}, volume={24 frames}, publisher={Wallflower}, author={Bertellini, Giorgio}, year={2004} }
@book{Bertellini_2004e, address={London}, title={The cinema of Italy}, publisher={Wallflower}, author={Bertellini, Giorgio}, year={2004} }
@book{Bondanella_1993, address={Cambridge}, title={The films of Roberto Rossellini}, volume={Cambridge film classics}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2789126}, publisher={Cambridge University Press}, author={Bondanella, Peter}, year={1993} }
@book{Bondanella_2001a, address={New York}, edition={3rd ed}, title={Italian cinema: from Neorealism to the present}, publisher={Continuum}, author={Bondanella, Peter E.}, year={2001} }
@book{Bondanella_2001b, address={New York}, edition={3rd ed}, title={Italian cinema: from Neorealism to the present}, publisher={Continuum}, author={Bondanella, Peter E.}, year={2001} }
@book{Bondanella_2014a, address={London}, title={The Italian cinema book}, publisher={British Film Insitute}, author={Bondanella, Peter E.}, year={2014} }
@book{Bondanella_2014b, address={London}, title={The Italian cinema book}, publisher={British Film Insitute}, author={Bondanella, Peter E.}, year={2014} }
@article{Bonsaver_2001, title={The egocentric Cassandra of the left: Representations of politics in the films of Nanni Moretti}, volume={21}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1179/ita.2001.21.1.158}, DOI={10.1179/ita.2001.21.1.158}, number={1}, journal={The Italianist}, author={Bonsaver, Guido}, year={2001}, month={Jun}, pages={158–183} }
@article{Bonsaver, Guido, title={The Rome cell}, volume={14}, url={https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/docview/237109869/A7CD559232F34125PQ/1?accountid=14888}, journal={Sight and Sound}, author={Bonsaver, Guido}, pages={28–29} }
@article{Bonsaver, Guido, title={Golden Door}, volume={17}, url={https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/docview/237120145/fulltext/506256B4BAD54C8APQ/2?accountid=14888}, journal={Sight and Sound}, author={Bonsaver, Guido}, pages={16–18} }
@book{Bordwell_Thompson_Smith_2017, address={New York}, edition={11th ed}, title={Film art: an introduction}, publisher={McGraw-Hill Education}, author={Bordwell, David and Thompson, Kristin and Smith, Jeff}, year={2017} }
@article{Borroni, Chiara, title={C’era una volta la Terra Promessa}, volume={46}, url={https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/docview/223108000/fulltextPDF/5E095EE93DC54D54PQ/16?accountid=14888}, journal={Cineforum}, author={Borroni, Chiara}, pages={43–46} }
@book{Branigan_1984, address={Berlin}, title={Point of view in the cinema: a theory of narration and subjectivity in classical film}, volume={Approaches to semiotics}, url={http://pugwash.lib.warwick.ac.uk/search~S15?/tPoint+of+View+in+the+Cinema+/tpoint+of+view+in+the+cinema/1%2C1%2C2%2CB/frameset&FF=tpoint+of+view+in+the+cinema+a+theory+of+narration+and+subjectivity+in+classical+film&2%2C%2C2/indexsort=-}, publisher={Mouton}, author={Branigan, Edward}, year={1984} }
@book{Brizio-Skov_2011, address={London}, title={Popular Italian cinema: culture and politics in a postwar society}, publisher={I.B. Tauris}, author={Brizio-Skov, Flavia}, year={2011} }
@book{Brook_2009, address={Toronto}, title={Marco Bellocchio: the cinematic I in the political sphere}, publisher={University of Toronto Press}, author={Brook, Clodagh J.}, year={2009} }
@book{Brunetta_2009a, address={Princeton, N.J.}, title={The history of Italian cinema: a guide to Italian film from its origins to the twenty-first century}, publisher={Princeton University Press}, author={Brunetta, Gian Piero}, year={2009} }
@book{Brunetta_2009b, address={Princeton, N.J.}, title={The history of Italian cinema: a guide to Italian film from its origins to the twenty-first century}, publisher={Princeton University Press}, author={Brunetta, Gian Piero}, year={2009} }
@book{Brunette_1987, address={New York}, title={Roberto Rossellini}, publisher={Oxford University Press}, author={Brunette, Peter}, year={1987} }
@book{Celli_Cottino-Jones_2007, address={New York}, edition={1st ed}, title={A new guide to Italian cinema}, volume={Italian and Italian American studies}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2908952}, publisher={Palgrave Macmillan}, author={Celli, Carlo and Cottino-Jones, Marga}, year={2007} }
@book{Chaudhuri_2006, address={London}, title={Feminist film theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed}, publisher={Routledge}, author={Chaudhuri, Shohini}, year={2006} }
@book{Cincinelli_2009a, address={Roma (Italia)}, title={I migranti nel cinema italiano}, publisher={Kappa}, author={Cincinelli, Sonia}, year={2009} }
@book{Cincinelli_2009b, address={Roma (Italia)}, title={I migranti nel cinema italiano}, publisher={Kappa}, author={Cincinelli, Sonia}, year={2009} }
@book{Dalle Vacche_1992a, address={Princeton, N.J.}, title={The body in the mirror: shapes of history in Italian cinema}, publisher={Princeton University Press}, author={Dalle Vacche, Angela}, year={1992} }
@book{Dalle Vacche_1992b, address={Princeton, N.J.}, title={The body in the mirror: shapes of history in Italian cinema}, publisher={Princeton University Press}, author={Dalle Vacche, Angela}, year={1992} }
@article{Deborah Amberson_2009, title={Battling History: Narrative Wars in Roberto Rossellini’s Paisà}, volume={86}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/40505896}, number={3}, journal={Italica}, publisher={American Association of Teachers of Italian}, author={Deborah Amberson}, year={2009}, pages={392–407} }
@article{D’Onofrio, Emanuele_2010a, title={Percorsi di identità narrativa nella memoria difficile: La musica in I cento passi e Buongiorno, notte.}, volume={30}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=edb&AN=51318207&site=eds-live&group=trial}, number={2}, journal={,}, author={D’Onofrio, Emanuele}, year={2010}, pages={219–244} }
@article{D’Onofrio, Emanuele_2010b, title={Percorsi di identità narrativa nella memoria difficile: La musica in I cento passi e Buongiorno, notte.}, volume={30}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=edb&AN=51318207&site=eds-live&group=trial}, number={2}, journal={,}, author={D’Onofrio, Emanuele}, year={2010}, pages={219–244} }
@book{Drake_1995, address={Cambridge, Mass}, title={The Aldo Moro murder case}, publisher={Harvard University Press}, author={Drake, Richard}, year={1995} }
@article{Drake, Richard1_2006, title={The Aldo Moro Murder Case in Retrospect.}, volume={8}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=hia&AN=20914367&site=eds-live&group=trial}, number={2}, journal={Journal of Cold War Studies.}, author={Drake, Richard1}, year={2006}, pages={114–125} }
@article{Filippelli_2015, title={Tutto parla di te: La trilogia materna di Alina Marazzi}, volume={35}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/full/10.1179/0261434015Z.000000000120}, DOI={10.1179/0261434015Z.000000000120}, number={2}, journal={The Italianist}, author={Filippelli, Sara}, year={2015}, month={Jun}, pages={272–283} }
@book{Forgacs_Lutton_Nowell-Smith_British Film Institute_2000, address={London}, title={Roberto Rossellini: magician of the real}, publisher={bfi Publishing}, author={Forgacs, David and Lutton, Sarah and Nowell-Smith, Geoffrey and British Film Institute}, year={2000} }
@article{Fredric Jameson_1986, title={On Magic Realism in Film}, volume={12}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1343476}, number={2}, journal={Critical Inquiry}, publisher={The University of Chicago Press}, author={Fredric Jameson}, year={1986}, pages={301–325} }
@book{Glynn_Lombardi_O’Leary_University of London. Institute of Germanic & Romance Studies_2012a, address={London}, title={Terrorism, Italian style: representations of political violence in contemporary Italian cinema}, volume={IGRS books}, publisher={Institute of Germanic & Romance Studies, School of Advanced Study, University of London}, author={Glynn, Ruth and Lombardi, Giancarlo and O’Leary, Alan and University of London. Institute of Germanic & Romance Studies}, year={2012} }
@book{Glynn_Lombardi_O’Leary_University of London. Institute of Germanic & Romance Studies_2012b, address={London}, title={Terrorism, Italian style: representations of political violence in contemporary Italian cinema}, volume={v. 3}, publisher={Institute of Germanic & Romance Studies, School of Advanced Study, University of London}, author={Glynn, Ruth and Lombardi, Giancarlo and O’Leary, Alan and University of London. Institute of Germanic & Romance Studies}, year={2012} }
@book{Greene_1990, address={Princeton, N.J.}, title={Pier Paolo Pasolini: cinema as heresy}, publisher={Princeton University Press}, author={Greene, Naomi}, year={1990} }
@book{Gundle_Rinaldi_2007, address={New York, N.Y.}, edition={1st ed}, title={Assassinations and murder in modern Italy: transformations in society and culture}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2327037}, publisher={Palgrave Macmillan}, author={Gundle, Stephen and Rinaldi, Lucia}, year={2007} }
@article{HEYER-CAPUT, MARGHERITA1_2013, title={For a Cinema of Inbetween-ness: Emanuele Crialese’s Nuovomondo (2006).}, volume={90}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=ehh&AN=86740270&site=eds-live&group=trial}, number={2}, journal={Italica.}, author={HEYER-CAPUT, MARGHERITA1}, year={2013}, pages={272–285} }
@book{Kolker_British Film Institute_1985, address={London}, title={Bernardo Bertolucci}, publisher={British Film Institute}, author={Kolker, Robert Phillip and British Film Institute}, year={1985} }
@book{Landy_2000a, address={Cambridge}, title={Italian film}, volume={National film traditions}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2799473}, publisher={Cambridge University Press}, author={Landy, Marcia}, year={2000} }
@book{Landy_2000b, address={Cambridge}, title={Italian film}, volume={National film traditions}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2799473}, publisher={Cambridge University Press}, author={Landy, Marcia}, year={2000} }
@book{Landy_2000c, address={Cambridge}, title={Italian film}, volume={National film traditions}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2799473}, publisher={Cambridge University Press}, author={Landy, Marcia}, year={2000} }
@article{Lee, Marshall, title={The Silvio lining}, volume={16}, url={https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/docview/237117868/BB8505061D6A4FC6PQ/1?accountid=14888}, journal={Sight and Sound}, author={Lee, Marshall}, pages={20–24} }
@book{Loshitzky_1995, address={Detroit}, title={The radical faces of Godard and Bertolucci}, publisher={Wayne State University Press}, author={Loshitzky, Yosefa}, year={1995} }
@article{Luca Caminati_2006, title={The Return of History: Gianni Amelio’s ‘Lamerica’, Memory, and National Identity}, volume={83}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/27669108}, number={3}, journal={Italica}, publisher={American Association of Teachers of ItalianAmerican Association of Teachers of Italian}, author={Luca Caminati}, year={2006}, pages={596–608} }
@book{Luciano_Scarparo_2013, address={West Lafayette, Indiana}, title={Reframing Italy: new trends in Italian women’s filmmaking}, volume={volume 59}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3002040}, publisher={Purdue University Press}, author={Luciano, Bernadette and Scarparo, Susanna}, year={2013} }
@book{Marcus_1986, address={Princeton, N.J.}, title={Italian film in the light of neorealism}, publisher={Princeton University Press}, author={Marcus, Millicent Joy}, year={1986} }
@book{Marcus_2002a, address={Baltimore, Md}, title={After Fellini: national cinema in the postmodern age}, publisher={Johns Hopkins University Press}, author={Marcus, Millicent Joy}, year={2002} }
@book{Marcus_2002b, address={Baltimore, Md}, title={After Fellini: national cinema in the postmodern age}, publisher={Johns Hopkins University Press}, author={Marcus, Millicent Joy}, year={2002} }
@book{Marcus_2002c, address={Baltimore, Md}, title={After Fellini: national cinema in the postmodern age}, publisher={Johns Hopkins University Press}, author={Marcus, Millicent Joy}, year={2002} }
@article{Maura Bergonzoni, title={Alina Marazzi’s Un’ora sola ti vorrei and Vogliamo anche le rose: The personal stands for the political}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1386/sdf.5.2-3.247_7}, journal={Studies in Documentary Film}, publisher={Routledge}, author={Maura Bergonzoni} }
@book{Mazierska_Rascaroli_2004, address={London}, title={The cinema of Nanni Moretti: dreams and diaries}, publisher={Wallflower}, author={Mazierska, Ewa and Rascaroli, Laura}, year={2004} }
@article{Millicent Marcus, title={Palimpsest versus Pastiche: Revisiting Neo-realism in the 1990s}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=edsjsr&AN=edsjsr.24007364&site=eds-live&group=trial}, journal={Annali}, publisher={Annali d’Italianistica, Inc., 1999.}, author={Millicent Marcus}, pages={56–68} }
@book{Mulvey_2008, address={Basingstoke}, edition={2nd ed}, title={Visual and other pleasures}, volume={Language, discourse, society}, publisher={Palgrave Macmillan}, author={Mulvey, Laura}, year={2008} }
@book{Nathan_2017, address={West Lafayette, Indiana}, title={Marvelous bodies: Italy’s new migrant cinema}, volume={volume 70}, publisher={Purdue University Press}, author={Nathan, Vetri}, year={2017} }
@book{Nowell-Smith_Hay_Volpi_1996, address={London}, title={The companion to Italian cinema}, publisher={Cassell}, author={Nowell-Smith, Geoffrey and Hay, James and Volpi, Gianni}, year={1996} }
@article{O’Leary, Alan_2010, title={Italian cinema and the ‘anni di piombo.’.}, volume={40}, url={http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db=hia&AN=53373136&site=eds-live&group=trial}, DOI={10.1177/0047244110371912}, number={3}, journal={Journal of European Studies.}, author={O’Leary, Alan}, year={2010}, pages={243–257} }
@book{O’Leary_2011, address={Oxford}, title={Tragedia all’italiana: Italian cinema and Italian terrorisms, 1970-2010}, volume={v. 9}, url={http://ebookcentral.proquest.com/lib/warw/detail.action?docID=1053995}, publisher={Peter Lang}, author={O’Leary, Alan}, year={2011} }
@article{Orr, Christopher, title={Pasolini’s Accattone, or Naturalism and Its Discontents}, volume={19}, url={https://search.proquest.com/fiaf/docview/222721684/916415B323B34509PQ/1?accountid=14888}, journal={Film Criticism (ARCHIVE)}, author={Orr, Christopher}, pages={54–66} }
@book{Pasolini_1972, address={Milano}, title={Empirismo eretico}, publisher={Garzanti}, author={Pasolini, Pier Paolo}, year={1972} }
@article{Paul Sutton, title={‘Say Something Left-Wing!’ Nanni Moretti’s Il Caimano}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1386/seci.6.2-3.141/1}, journal={Studies in European Cinema}, publisher={Routledge}, author={Paul Sutton} }
@inbook{Rascaroli_2005, address={New York}, title={Carlo Mazzacurati, Silvio Soldini, and Gianni Amelio: Highways, Side Roads, and Borderlines – the New Italian Road Movie}, url={https://contentstore.cla.co.uk/secure/link?id=aa20b7ae-58f1-e711-80cd-005056af4099}, booktitle={Italian cinema: new directions}, publisher={Peter Lang}, author={Rascaroli, Laura}, year={2005}, pages={251–272} }
@book{Rascaroli_Monahan_Young_2014, address={New York}, title={Amateur filmmaking: the home movie, the archive, the web}, publisher={Bloomsbury Academic}, author={Rascaroli, Laura and Monahan, Barry and Young, Gwenda}, year={2014} }
@book{Renga_2013, address={Toronto}, title={Unfinished business: screening the Italian Mafia in the new millennium}, publisher={University of Toronto Press}, author={Renga, Dana}, year={2013} }
@book{Rhodes_2007, address={Minneapolis}, title={Stupendous, miserable city: Pasolini’s Rome}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2917414}, publisher={University of Minnesota Press}, author={Rhodes, John David}, year={2007} }
@article{Rigoletto_2012, title={Contesting National Memory: Masculine Dilemmas and Oedipal Scenarios in Bernardo Bertolucci’s and}, volume={67}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/full/10.1179/174861812X13202431699994}, DOI={10.1179/174861812X13202431699994}, number={1}, journal={Italian Studies}, author={Rigoletto, Sergio}, year={2012}, month={Mar}, pages={120–142} }
@book{Rohdie_1995, address={London}, title={The passion of Pier Paolo Pasolini}, publisher={BFI Publishing}, author={Rohdie, Sam}, year={1995} }
@book{Rossellini_Aprà_1987, address={Venezia}, edition={2a ed. riveduta a ampliata}, title={Il mio metodo: scritti e interviste}, volume={Cinema}, publisher={Marsilio}, author={Rossellini, Roberto and Aprà, Adriano}, year={1987} }
@book{Ruberto_Wilson_2007, address={Detroit}, title={Italian neorealism and global cinema}, publisher={Wayne State University Press}, author={Ruberto, Laura E. and Wilson, Kristi M.}, year={2007} }
@book{Rumble_Testa_1994, address={Toronto}, title={Pier Paolo Pasolini: contemporary perspectives}, publisher={University of Toronto Press}, author={Rumble, Patrick Allen and Testa, Bart}, year={1994} }
@book{Schoonover_2012, address={Minneapolis}, title={Brutal vision: the neorealist body in postwar Italian cinema}, url={http://encore.lib.warwick.ac.uk/iii/encore/search/C__SBrutal%20vision%20neorealist%20body__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt}, publisher={University of Minnesota Press}, author={Schoonover, Karl}, year={2012} }
@book{Sciascia_1978, address={Palermo}, title={L’affaire Moro}, volume={80}, publisher={Sellerio}, author={Sciascia, Leonardo}, year={1978} }
@book{Silverman_1988, address={Bloomington}, title={The acoustic mirror: the female voice in psychoanalysis and cinema}, publisher={Indiana University Press}, author={Silverman, Kaja}, year={1988} }
@book{Sitney_2013a, address={New York}, edition={1st paperback ed}, title={Vital crises in Italian cinema: iconography, stylistics, politics}, publisher={Oxford University Press}, author={Sitney, P. Adams}, year={2013} }
@book{Sitney_2013b, address={New York}, edition={1st paperback ed}, title={Vital crises in Italian cinema: iconography, stylistics, politics}, publisher={Oxford University Press}, author={Sitney, P. Adams}, year={2013} }
@article{Small, Pauline_2005, title={Giordana’s I cento passi: renegotiating the Mafia codes.}, volume={III}, url={https://search.proquest.com/fiaf/docview/1745786463/BB4929D986AD4971PQ/4?accountid=14888}, number={1}, journal={New Cinemas: Journal of Contemporary Film}, publisher={Federation Internationale des Archives (FIAF)}, author={Small, Pauline}, year={2005}, pages={41–54} }
@book{Sorlin_1996, address={London}, title={Italian national cinema, 1896-1996}, volume={National cinemas}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2552589}, publisher={Routledge}, author={Sorlin, Pierre}, year={1996} }
@article{Stefania Benini, title={‘A face, a name, a story’: Women’s identities as life stories in Alina Marazzi’s cinema}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1386/seci.8.2.129_1}, journal={Studies in European Cinema}, publisher={Routledge}, author={Stefania Benini} }
@article{SUSANNA SCARPARO and BERNADETTE LUCIANO_2010, title={The Personal is Still Political: Films ‘by and for Women’ by the New documentariste}, volume={87}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25780742?seq=1#page_scan_tab_contents}, number={3}, journal={Italica}, publisher={American Association of Teachers of Italian}, author={SUSANNA SCARPARO and BERNADETTE LUCIANO}, year={2010}, pages={488–503} }
@article{Tagliani_2014, title={Depicting life, analysing the power: The ‘actuality’ of Italian cinema}, volume={2}, url={http://0-www.ingentaconnect.com.pugwash.lib.warwick.ac.uk/content/intellect/jicms/2014/00000002/00000002/art00004;jsessionid=p5essu8fgoix.x-ic-live-01}, DOI={10.1386/jicms.2.2.199_1}, number={2}, journal={Journal of Italian Cinema & Media Studies}, author={Tagliani, Giacomo}, year={2014}, month={Jun}, pages={199–214} }
@book{Tonetti_1995, address={New York}, title={Bernardo Bertolucci: the cinema of ambiguity}, publisher={Twayne}, author={Tonetti, Claretta}, year={1995} }
@book{Viano_1993, address={Berkeley}, title={A certain realism: making use of Pasolini’s film theory and practice}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2755041}, publisher={University of California Press}, author={Viano, Maurizio Sanzio}, year={1993} }
@book{Vighi_2006a, address={Bristol, U.K.}, title={Traumatic encounters in Italian film: locating the cinematic unconscious}, url={http://ebookcentral.proquest.com/lib/warw/detail.action?docID=282969}, publisher={Intellect}, author={Vighi, Fabio}, year={2006} }
@book{Vighi_2006b, address={Bristol, U.K.}, title={Traumatic encounters in Italian film: locating the cinematic unconscious}, url={http://ebookcentral.proquest.com/lib/warw/detail.action?docID=282969}, publisher={Intellect}, author={Vighi, Fabio}, year={2006} }
@book{Wagstaff_2007, address={Toronto}, title={Italian neorealist cinema: an aesthetic approach}, volume={Toronto Italian studies}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3102065}, publisher={University of Toronto Press}, author={Wagstaff, Christopher}, year={2007} }
@book{Wagstaff_2012, address={London}, title={Il conformista (The conformist)}, publisher={Palgrave Maxmillan}, author={Wagstaff, Christopher}, year={2012} }
@book{Willemen_British Film Institute_1977, address={London}, title={Pier Paolo Pasolini}, publisher={British Film Institute}, author={Willemen, Paul and British Film Institute}, year={1977} }
@book{Wood_2005a, address={Oxford}, edition={English ed}, title={Italian cinema}, publisher={Berg}, author={Wood, Mary P.}, year={2005} }
@book{Wood_2005b, address={Oxford}, edition={English ed}, title={Italian cinema}, publisher={Berg}, author={Wood, Mary P.}, year={2005} }
@article{Zagarrio_2016, title={Not Even in a Dream. Emigration and immigration in new Italian cinema}, volume={4}, url={http://0-www.ingentaconnect.com.pugwash.lib.warwick.ac.uk/contentone/intellect/jicms/2016/00000004/00000003/art00007}, DOI={10.1386/jicms.4.3.421_1}, number={3}, journal={Journal of Italian Cinema & Media Studies}, author={Zagarrio, Vito}, year={2016}, month={Jul}, pages={421–438} }
@article{Zambenedetti_2006, title={Multiculturalism in New Italian Cinema}, volume={3}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1386/seci.3.2.105_1}, number={2}, journal={Studies in European Cinema}, publisher={Routledge}, author={Zambenedetti, Alberto}, year={2006} }
@article{The Sight and Sound of Albanian Migration in Contemporary Italian Cinema_2011, volume={8}, url={http://ojs.cf.ac.uk/index.php/newreadings/article/view/21/16}, number={1}, journal={New Readings}, year={2011} }
@book{Cantini_2013, address={New York}, title={Italian women filmmakers and the gendered screen}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2722192}, publisher={Palgrave Macmillan}, year={2013} }
@book{Lombardi_Uva_2016a, address={Bern}, title={Italian political cinema: public life, imaginary, and identity in contemporary Italian film}, volume={volume 1}, publisher={Peter Lang}, year={2016} }
@book{Lombardi_Uva_2016b, address={Bern}, title={Italian political cinema: public life, imaginary, and identity in contemporary Italian film}, volume={volume 1}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3142447}, publisher={Peter Lang}, year={2016} }
@book{Lombardi_Uva_2016c, address={Bern}, title={Italian political cinema: public life, imaginary, and identity in contemporary Italian film}, volume={volume 1}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3142447}, publisher={Peter Lang}, year={2016} }
@book{Lombardi_Uva_2016d, address={Bern}, title={Italian political cinema: public life, imaginary, and identity in contemporary Italian film}, volume={volume 1}, publisher={Peter Lang}, year={2016} }
@article{Conformista, Il/The Conformist, volume={4}, url={https://search.proquest.com/fiaf/docview/1305513920/EC783ABFC22142E8PQ/5?accountid=14888}, journal={Sight and Sound}, pages={303–312} }
