Bibliography for FI102: The Hollywood Cinema (Term 1) BETA

Adorno, T. W. (1991a). The culture industry: selected essays on mass culture (J. M. Bernstein, Ed.). Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2578964

Adorno, T. W. (1991b). The culture industry: selected essays on mass culture (J. M. Bernstein, Ed.). Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2578964

Adorno, T. W., & Horkheimer, M. (1997). Dialectic of enlightenment: Vol. Verso classics. Verso.

Altman, C. F. (1977). Towards a Historiography of American Film. Cinema Journal, 16(2). https://doi.org/10.2307/1225381

Altman, R. (1999). Chapter 2: ‘What is generally understood by the notion of film genre’. In Film/genre (pp. 13–28). British Film Institute. https://contentstore.cla.co.uk/secure/link?id=496dd74e-5ca7-e711-80cb-005056af4099

An American in Paris (1951). (n.d.). Channel 5. https://learningonscreen.ac.uk/ondemand/index.php/prog/0007FF03?bcast=120763403

Armour, N. (n.d.). The Machine Art of Dziga Vertov and Busby Berkeley. http://www.imagesjournal.com/issue05/features/berkeley-vertov.htm

Arroyo, J. (n.d.). La La Land. https://notesonfilm1.com/2017/01/26/la-la-land-damien-chazelle-usa-2016/

Arroyo, J. (2000). Mission Sublime. In Action/spectacle cinema: a sight and sound reader (pp. 21–25). British Film Institute. https://contentstore.cla.co.uk/secure/link?id=005c9dbd-6298-e711-80cb-005056af4099

Arturo Silva. (2005). Vincente Minnelli’s Dream of Tony Hunter’s ‘Band Wagon’s’ ‘Girl Hunt’. Film Criticism, 30(1), 2–20. https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/docview/200951181/B13B50D183924192PQ/3?accountid=14888

Bacon, L., & Berkeley, B. (1997). Footlight parade. [s.n.].

Bacon, L., James, R., Seymour, J., Warren, H., Dubin, A., Berkeley, B., Baxter, W., Daniels, B., Brent, G., Keeler, R., Kibbee, G., Merkel, U., Rogers, G., Sparks, N., Powell, D., Jenkins, A., Nugent, E., McWade, R., Stone, G. E., … Warner Home Video (Firm). (2005). 42nd Street. Warner Bros. Entertainment, Turner Entertainment Co.

Berman, P. S., Taylor, D., Scott, A., Sandrich, M., Astaire, F., Rogers, G., Horton, E. E., Berlin, I., Steiner, M., Hope, B., Billman, L., McKenzie, A. A., & RKO Radio Pictures. (2007). Top hat. Sony Pictures Home Entertainment/Universal Studios. https://learningonscreen.ac.uk/ondemand/index.php/prog/000228FB?bcast=114304759

Bevan, T., Fellner, E., Coen, J., Coen, E., Brolin, J., Clooney, G., Ehrenreich, A., Fiennes, R., Johansson, S., Swinton, T., McDormand, F., Tatum, C., & Hill, J. (2016). Hail, Caesar! Universal Pictures (UK) Ltd.

Biskind, P. (1998). Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll  generation saved Hollywood. Bloomsbury.

Bonnie and Clyde (1967). (n.d.). ITV London. https://learningonscreen.ac.uk/ondemand/index.php/prog/000C1B87?bcast=93033052

Booker, M. K. (2007). Postmodern Hollywood: what’s new in film and why it makes us feel so strange. Praeger.

Bordwell, D. (2006). The way Hollywood tells it: story and style in modern movies. University of California Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2668420

Bordwell, D., Staiger, J., & Thompson, K. (1985a). The classical Hollywood cinema: film style & mode of production to  1960. Routledge & Kegan Paul. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2525747__SThe%20classical%20Hollywood%20cinema%3A%20film%20style%20%26%20mode%20of%20production%20to%201960__Orightresult__U__X4?lang=eng&suite=cobalt

Bordwell, D., Staiger, J., & Thompson, K. (1985b). The classical Hollywood cinema: film style & mode of production to  1960. Routledge & Kegan Paul. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2525747

Britton, A. (1988). The Philosophy of the pigeonhole: Wisconsin formalism and ‘The Classical Style’. CineAction!, 15, 47–63. https://contentstore.cla.co.uk/secure/link?id=179732f0-8543-e611-80bd-0cc47a6bddeb

Britton, A., & Grant, B. K. (2009). Britton on film: the complete film criticism of Andrew Britton: Vol. Contemporary approaches to film and television series. Wayne State University Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2988759

Brooker, P., & Brooker, W. (1997). Postmodern after-images: a reader in film, television and video. Arnold.

Brunsdon, C. (1994). Genre. In The women’s companion to international film (pp. 172–173). University of California Press. https://contentstore.cla.co.uk/secure/link?id=8d759f16-5da7-e711-80cb-005056af4099

Carr, S. A. (2000). ‘From “Fucking Cops” to “Fucking Media”: Bonnie and Clyde for a Sixties America’. In Arthur Penn’s ‘Bonnie and Clyde’: Vol. Cambridge film handbooks series (pp. 70–100). Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=a925eebe-b197-e711-80cb-005056af4099

Carroll, N. (1982). The Future of Allusion: Hollywood in the Seventies (And beyond). October, 20. https://doi.org/10.2307/778606

Celestino Deleyto. (1992). Self-Consciousness and the Classical Text: An Analysis of ‘Swing Time’. Film Criticism, 16(3), 17–33. https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/docview/222722630/3A186D0437864521PQ/5?accountid=14888

Chazelle, D., Berger, F., Horowitz, J., Gilbert, G., Platt, M., Moore, M., Hurwitz, J., Pasek, B., Paul, J., Gosling, R., Stone, E., Summit Entertainment, Impostor Pictures, Gilbert Films, & Marc Platt Productions (Firm). (2017). La La Land. Lionsgate Home Entertainment, UK.

Cohan, S. (2002). Introduction: musicals of the Studio Era. In The Hollywood musicals: the film reader: Vol. In focus (pp. 1–17). Routledge.

Collins, J. (1989). Uncommon cultures: popular culture and post-modernism. Routledge.

Constable, C. (2015). Postmodernism and film: rethinking Hollywood’s aesthetics: Vol. Short cuts: introductions to film studies. Wallflower Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3013083

Cook, D. A. (2002). Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979: Vol. History of the American cinema. University of California Press.

Croce, A. (1977). Chapter on Swing Time. In The Fred Astaire & Ginger Rogers book (pp. 99–117). Vintage Books.

Degli-Esposti, C. (1998). Postmodernism in the cinema. Berghahn.

Dyer, R. (1981). Entertainment and utopia. In Genre: the musical : a reader: Vol. British Film Institute readers in film studies (pp. 175–189). Routledge & Kegan Paul in association with the British Film  Institute. https://contentstore.cla.co.uk/secure/link?id=0dfe4529-61a7-e711-80cb-005056af4099

Dyer, R. (2002). The culture of queers. Routledge.

Feuer, J. (1985). Hollywood Musicals: Mass Art as Folk Art. In Jump cut: Hollywood, politics and counter cinema (pp. 52–63). Between The Lines. https://contentstore.cla.co.uk/secure/link?id=aff8f715-76a7-e711-80cb-005056af4099

Fleming, V., Harlow, J., Tone, F., Morgan, F., O’Brien, P., Merkel, U., Healy, T., Stromberg, H., Mahin, J. L., Furthman, J., Rosson, H., Lyons, C. A., Booth, M., Pye, M., Metro-Goldwyn-Mayer, & Channel Four (Great Britain). (1996). Blonde bombshell. Channel 4.

Fordin, H., Fordin, H., & Metro-Goldwyn-Mayer. (1996). M-G-M’s greatest musicals: the Arthur Freed unit. Da Capo Press.

Fosse, B., Scheider, R., Lange, J., Reinking, A., Palmer, L., Columbia Pictures Corporation, & Twentieth Century-Fox Film Corporation. (2003). All that jazz. 20th Century Fox Home Entertainmemt.

Gallafent, E. (2000). Chapter 2: The Argument of Time: The Later RKO Musicals. In Astaire & Rogers (pp. 52–100). Cameron & Hollis. https://contentstore.cla.co.uk/secure/link?id=3321ff75-1aa8-e711-80cb-005056af4099

Garrett, R. (2007). Postmodern chick flicks: the return of the woman’s film. Palgrave Macmillan. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2526302

Gilda (1946). (n.d.). BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/001964F6?bcast=57324757

Gledhill, C. (2000). Rethinking Genre. In Reinventing film studies (pp. 221–244). Arnold. https://contentstore.cla.co.uk/secure/link?id=6cb35a1c-ba5d-e811-80cd-005056af4099

Gomery, D. (2005). The Hollywood studio system: a history. BFI.

Grant, B. (2003). Genre Films and Cultural Myth. Film International, 1, 27–35. http://filmint.nu/?p=1689

Hansen, M. (2000). The Mass Production of the Senses: Classical Cinema as Vernacular Modernism. In Reinventing film studies (pp. 332–350). Arnold.

Harvey, S. (1989). Chapter 3: Musicals. In Directed by Vincente Minnelli (pp. 37–157). Museum of Modern Art. https://contentstore.cla.co.uk/secure/link?id=00bd1fbb-79a7-e711-80cb-005056af4099

High School Musical 2 (2007). (n.d.). BBC3. https://learningonscreen.ac.uk/ondemand/index.php/prog/00709AFD?bcast=86850075

High School Musical (2006). (n.d.). BBC3. https://learningonscreen.ac.uk/ondemand/index.php/prog/005BB71F?bcast=49998350

Hillier, J. (1993). The new Hollywood. Studio Vista.

Jewell, R. B. (1994). RKO Film Grosses, 1929-1951: The C.J. Tevlin ledger. Historical Journal of Film, Radio and Television, 14(1), 37–49. https://doi.org/10.1080/01439689400260031

Kelly, G., Donen, S., Freed, A., Green, A., Comden, B., O’Connor, D., Reynolds, D., Hagen, J., Mitchell, M., Charisse, C., Fowley, D., Moreno, R., Metro-Goldwyn-Mayer, Turner Entertainment Co, & Warner Home Video (Firm). (2000). Singin’ in the rain. Turner Entertainment Co. https://learningonscreen.ac.uk/ondemand/index.php/prog/0018C80D?bcast=123188027

King, G. (2001). New Hollywood, Version I: The Hollywood Renaissance. In New Hollywood Cinema: An Introduction (pp. 11–48). https://contentstore.cla.co.uk/secure/link?id=cf60cd3b-a643-e611-80bd-0cc47a6bddeb

Krämer, P. (2005). The new Hollywood: from Bonnie and Clyde to Star Wars: Vol. Short cuts. Wallflower. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3004258

LeRoy, M., Berkeley, B., Warren, H., Dubin, A., Gelsey, E., Seymour, J., Boehm, D., Markson, B., William, W., Blondell, J., MacMahon, A., Keeler, R., Powell, D., Kibbee, G., Sparks, N., Rogers, G., Hopwood, A., Warner Bros. Pictures (1923-1967), Vitaphone Corp, & BBC Two (Television station : London, England). (1993). Gold diggers of 1933. BBC2.

Lima, K. (n.d.). Enchanted [videorecording].

Lyotard, J.-F. (1992). Notes on the Meaning of "Post-”. In The postmodern explained to children: correspondence 1982-1985 (pp. 87–93). Power Publications. https://contentstore.cla.co.uk/secure/link?id=0eb78b90-5e98-e711-80cb-005056af4099

MacMillan, R. (1981). Hollywood in the 1930s: a discussion with Pauline Kael’. Historical Journal of Film, Radio and Television, 1(2), 151–159. https://doi.org/10.1080/01439688100260131

Maltby, R. (2003). Hollywood cinema (2nd ed). Blackwell.

Marshall, R. (n.d.). Chicago [videorecording].

Minnelli, V., Astaire, F., Charisse, C., Levant, O., Fabray, N., & Buchanan, J. (2005a). The band wagon (Two-disc special ed). Turner Entertainment, Co. https://learningonscreen.ac.uk/ondemand/index.php/prog/00039578?bcast=92106116

Minnelli, V., Astaire, F., Charisse, C., Levant, O., Fabray, N., & Buchanan, J. (2005b). The band wagon (Two-disc special ed). Turner Entertainment, Co.

Minnelli, V., Garland, J., Benson, S., & Louisiana Purchase Exposition. (2004). Meet me in St. Louis. Turner Entertainment Co. https://learningonscreen.ac.uk/ondemand/index.php/prog/0004459F?bcast=114714690

Mission: Impossible (1996). (n.d.). ITV London. https://learningonscreen.ac.uk/ondemand/index.php/prog/0009C76E?bcast=124223565

Mueller, J. (1984). Fred Astaire and the Integrated Musical. Cinema Journal, 24(1). https://doi.org/10.2307/1225307

Neale, S. & British Film Institute. (2002). Genre and contemporary Hollywood. British Film Institute.

Neale, S., & Smith, M. (1998). Contemporary Hollywood cinema. Routledge.

Norofjoro, B. (2012). The Post-modern Transnational Film Musical. In The international film musical: Vol. Traditions in world cinema (pp. 241–257). Edinburgh University Press. https://contentstore.cla.co.uk/secure/link?id=e9b3c9b6-cdca-e711-80cd-005056af4099

Penn, A., Newman, D., Benton, R., Beatty, W., Guffey, B., Strouse, C., Dunaway, F., Pollard, M. J., Hackman, G., Parsons, E., & Warner Home Video (Firm). (1998). Bonnie and Clyde. Warner Home Video.

Prince, S. (2002). A new pot of gold: Hollywood under the electronic rainbow, 1980-1989: Vol. History of the American cinema. University of California Press.

Pye, D. (1989). Bordwell and Hollywood. Movie, 33, 46–52.

Pye, M., & Myles, L. (1979). The movie brats: how the film generation took over Hollywood. Faber.

Roddick, N. (1983). Chapter 2: Warner Brothers and the Studio System. In A new deal in entertainment: Warner Brothers in the 1930s (pp. 16–28). British Film Institute. https://contentstore.cla.co.uk/secure/link?id=821325c1-39a8-e711-80cb-005056af4099

Roth, M. (1981). Some Warners Musicals and the Spirit of the New Deal. In Genre: the musical : a reader: Vol. British Film Institute readers in film studies (pp. 41–57). Routledge & Kegan Paul in association with the British Film  Institute. https://contentstore.cla.co.uk/secure/link?id=5c392183-36a8-e711-80cb-005056af4099

Sandrich, M., & Berlin, I. (1999). Follow the fleet. Channel 5. https://learningonscreen.ac.uk/ondemand/index.php/prog/001C37BD?bcast=114251543

Sarris, A. (1998). Chapter 1: ‘The Hollywood Studios’ & part of Chapter 2 : Genres:The Musical. In You Ain’T Heard Nothing Yet" - The American Talking Film - History And Memory 1927-1949 (pp. 22–67). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=eeca731c-d5a9-e711-80cb-005056af4099

Schatz, T. (1981). Chapter 7 – The Musical. In Hollywood genres: formulas, film making, and the studio system (1st ed, pp. 186–218). McGraw-Hill. https://contentstore.cla.co.uk/secure/link?id=a3be9925-85a7-e711-80cb-005056af4099

Schatz, T. (1989a). The genius of the system: Hollywood filmmaking in the studio era. Simon & Schuster.

Schatz, T. (1989b). The genius of the system: Hollywood filmmaking in the studio era. Simon & Schuster.

Schatz, T. (1993). The New Hollywood. In Film theory goes to the movies: Vol. AFI film readers (pp. 8–36). Routledge. https://contentstore.cla.co.uk/secure/link?id=1eae201c-c897-e711-80cb-005056af4099

Sedgwick, J. (1994). Richard B. Jewell’s RKO Film Grosses, 1929-1951: The C.J. Trevlin Ledger: A comment. Historical Journal of Film, Radio and Television, 14(1), 51–58. https://doi.org/10.1080/01439689400260041

Shindler, C. (1996). Hollywood in crisis: cinema and American society, 1929-1939: Vol. Cinema and society. Routledge. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2900295

Sie, T. (n.d.). Step Up 1-5 [videorecording].

Smith, P., & Wilde, C. (2002). A companion to art theory: Vol. Blackwell companions in cultural studies. Blackwell. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2098592

Special: High School Musical 3: Senior Year (2008). (n.d.). Channel 5. https://learningonscreen.ac.uk/ondemand/index.php/prog/01601539?bcast=82006237

Step Up 3 (2010). (n.d.). FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/01CA3CD0?bcast=121108174

Step Up: Miami Heat (2012). (n.d.). Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/057AF235?bcast=124941128

Stevens, G., Lindsay, H., Scott, A., Berman, P. S., Kern, J., Fields, D., Astaire, F., Rogers, G., Gelsey, E., & RKO Radio Pictures. (2006). Swing time. Universal Pictures (UK).

Taylor, D., Manner, J. H., Sandrich, M., Berman, P. S., Marion, G., Yost, D., Kaufman, E., Hamilton, W., Webb, K., Hoffenstein, S., Steiner, M., Porter, C., Astaire, F., Rogers, G., Brady, A., Horton, E. E., Rhodes, E., Blore, E., Miles, L., … RKO Radio Pictures. (2011). The Gay divorcee. BBC.

The Merry Widow. (2013). Warner Bros. Digital Dist.

The Smiling Lieutenant. (2015). Allied Vaughn.

Thorpe, R., & Lanza, M. (2001). The great Caruso. BBC2. https://learningonscreen.ac.uk/ondemand/index.php/prog/0014C5DD?bcast=124513050

Vidor, C., Parsonnet, M., Ellington, E. A., Eisinger, J., Van Upp, V., Hayworth, R., Ford, G., Macready, G., Calleia, J., Geray, S., Sawyer, J., Mohr, G., Donath, L., & Maté, R. (1999). Gilda: Vol. Columbia classics. Columbia Tristar Home Video.

Walters, C. (1990). Summer stock: If you feel like singing. [s.n.].

Wood, R. (2002). Hitchcock’s films revisited (Rev. ed). Columbia University Press.

Wyatt, J. (1994). High concept: movies and marketing in Hollywood: Vol. Texas film studies series. University of Texas Press. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3009426

Yockey, M. (Ed.). (2017). Make ours Marvel: media convergence and a comics universe (First edition). University of Texas Press.