1.
Farmer DH. The Oxford Dictionary of Saints. 5th ed., rev. Oxford University Press; 2011. http://0-www.oxfordreference.com.pugwash.lib.warwick.ac.uk/view/10.1093/acref/9780199596607.001.0001/acref-9780199596607
2.
Ferguson G. Signs and Symbols in Christian Art. Oxford University Press; 1966.
3.
Hall J. Dictionary of Subjects and Symbols in Art. Rev. ed. Murray; 1979.
4.
Honour H, Fleming J. A World History of Art. Macmillan; 1982.
5.
Ryan WG, Jacobus. The Golden Legend: Readings on the Saints. New ed. Princeton University Press; 1993.
6.
Kaftal G, Bisogni F. Iconography of the Saints in the Painting of North East Italy. Vol Saints in Italian art. Sansoni; 1978.
7.
Kaftal G. Iconography of the Saints in Tuscan Painting. Vol Saints in Italian art. Sansoni; 1952.
8.
Morford MPO, Lenardon RJ. Classical Mythology. Fifth edition. Longman; 1995.
9.
Roberts JW. The Oxford Dictionary of the Classical World. Oxford University Press; 2005. http://0-www.oxfordreference.com.pugwash.lib.warwick.ac.uk/view/10.1093/acref/9780192801463.001.0001/acref-9780192801463
10.
Gardner H, Tansey RG, Kleiner FS. Gardner’s Art through the Ages. 10th ed. Harcourt Brace College Publishers; 1996.
11.
Vasari G, Bondanella JC, Bondanella PE. The Lives of the Artists. Vol The world’s classics. Oxford University Press; 1991.
12.
Jane Andrews Aiken. Leon Battista Alberti’s System of Human Proportions. Journal of the Warburg and Courtauld Institutes. 1980;43:68-96. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/751189?seq=1#page_scan_tab_contents
13.
Métraux GPR. Sculptors and Physicians in Fifth-Century Greece: A Preliminary Study. McGill-Queen’s University Press; 1995.
14.
Panofsky E. Meaning in the Visual Arts: Papers in and on Art History. Vol Doubleday anchor books. Doubleday; 1955.
15.
Moon WG. Polykleitos, the Doryphoros and Tradition. Vol Wisconsin studies in classics. University of Wisconsin Press; 1995.
16.
Andrew Stewart and A. F. S. The Canon of Polykleitos: A Question of Evidence. The Journal of Hellenic Studies. 1978;98:122-131. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/630196?seq=1#page_scan_tab_contents
17.
Stewart AF. Art, Desire and the Body in Ancient Greece. Cambridge University Press; 1997.
18.
Beard M, Henderson J. Classical Art: From Greece to Rome. Vol Oxford history of art. Oxford University Press; 2001.
19.
Kousser RM. Hellenistic and Roman Ideal Sculpture: The Allure of the Classical. Cambridge University Press; 2008.
20.
Kousser RM. Hellenistic and Roman Ideal Sculpture: The Allure of the Classical. Cambridge University Press; 2008. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9781107298262
21.
Moon WG. Polykleitos, the Doryphoros and Tradition. Vol Wisconsin studies in classics. University of Wisconsin Press; 1995.
22.
Neils J. The Parthenon: From Antiquity to the Present. Cambridge University Press; 2005.
23.
Palagia O, Pollitt JJ. Personal Styles in Greek Sculpture. Vol Yale classical studies. Cambridge University Press; 1996.
24.
Richter GMA, Richter IA, Young GM. Kouroi: Archaic Greek Youths : A Study of the Development of the Kouros Type in Greek Sculpture. 3rd ed. Phaidon; 1970.
25.
Richter GMA. The Sculpture and Sculptors of the Greeks. 4th ed, newly rev. Yale University Press; 1970.
26.
Spivey NJ. Understanding Greek Sculpture: Ancient Meanings, Modern Readings. Thames & Hudson; 1996.
27.
Stewart AF. Greek Sculpture: An Exploration. Yale University Press; 1990.
28.
Adam JP. Roman Building: Materials and Techniques. Routledge; 2005.
29.
Coldstream N. Medieval Architecture. Vol Oxford history of art. Oxford University Press; 2002.
30.
Coulton JJ, Coulton JJ. Ancient Greek Architects at Work: Problems of Structure and Design.; 1995.
31.
Henig M, University of Oxford. Committee for Archaeology. Architecture and Architectural Sculpture in the Roman Empire. Vol Monograph / Oxford University Committee for Archaeology. Oxford University Committee for Archaeology; 1990.
32.
Mallgrave HF. Architectural Theory. Blackwell; 2005.
33.
Murray P. The Architecture of the Italian Renaissance. New rev. ed. Schocken Books; 1986.
34.
Onians J. Bearers of Meaning: The Classical Orders in Antiquity, the Middle Ages, and the Renaissance. Princeton University Press; 1988.
35.
Pevsner N. An Outline of European Architecture. Vol Penguin art and architecture. 7th ed. Penguin Books; 1990.
36.
Robertson DS, Robertson DS. Greek & Roman Architecture. 2nd ed. reprinted. Cambridge University Press; 1969.
37.
Stalley RA. Early Medieval Architecture. Vol Oxford history of art. Oxford University Press; 1999.
38.
Summerson J. The Classical Language of Architecture. Vol World of art. (Revised and enlarged ed.). Thames and Hudson; 1980.
39.
Watkin D. A History of Western Architecture. 3rd ed. Laurence King; 2000.
40.
Wittkower R. Architectural Principles in the Age of Humanism. 4th ed. Academy; 1988.
41.
Belting H. Likeness and Presence: A History of the Image before the Era of Art. Pbk. ed. University of Chicago Press; 1996.
42.
Charles-Edwards TM. After Rome. Vol The short Oxford history of the British Isles. Oxford University Press; 2003.
43.
Colish ML. Medieval Foundations of the Western Intellectual Tradition, 400-1400. Vol Yale intellectual history of the West. Yale University Press; 1997.
44.
Elsner J. Art and the Roman Viewer: The Transformation of Art from the Pagan World to Christianity. Vol Cambridge studies in new art history and criticism. Cambridge University Press; 1995.
45.
Elsner J. Imperial Rome and Christian Triumph: The Art of the Roman Empire, AD 100-450. Vol Oxford history of art. Oxford University Press; 1998.
46.
Dale Kinney. Spolia from the Baths of Caracalla in Sta. Maria in Trastevere. The Art Bulletin. 1986;68(3):379-397. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3050973?seq=1#page_scan_tab_contents
47.
Nasrallah LS. Christian Responses to Roman Art and Architecture: The Second-Century Church amid the Spaces of Empire. Cambridge University Press; 2010.
48.
Basile G, Flores d’Arcais F, Rubino A, Giotto, Istituto centrale per il restauro (Italy). Giotto: The Frescoes of the Scrovegni Chapel in Padua. 1st ed. Skira; 2002.
49.
Camille M. Gothic Art: Visions and Revelations of the Medieval World. Vol Everyman art library. Weidenfeld & Nicolson; 1996.
50.
Derbes A, Sandona M, Giotto. The Cambridge Companion to Giotto. Cambridge University Press; 2004.
51.
Duffy E. The Stripping of the Altars: Traditional Religion in England, c.1400-c.1580. Yale University Press; 1992.
52.
Duffy E. The Stripping of the Altars: Traditional Religion in England, c.1400-c.1580. 2nd. ed. Yale University Press; 2005.
53.
Finaldi G, Avery-Quash S, National Gallery (Great Britain), Seeing Salvation (Exhibition). The Image of Christ. National Gallery; 2000.
54.
Malafarina G, Bertazzo F. La Cappella Degli Scrovegni a Padova =: The Scrovegni Chapel in Padua. Vol Mirabilia Italiae. Guide. F.C. Panini; 2005.
55.
Frugoni C. Gli Affreschi Della Cappella Scrovegni a Padova. Vol ET. Saggi. Einaudi; 2005.
56.
The Christian World of the Middle Ages. The History Press Ireland; 31 AD. http://www.amazon.co.uk/Christian-World-Middle-Ages-ebook/dp/B00BS02ZMW/ref=sr_1_1?ie=UTF8&qid=1455036719&sr=8-1&keywords=+The+Christian+World+of+the+Middle+Ages
57.
Jensen RM. Understanding Early Christian Art. Routledge; 2000.
58.
Lowden J. Early Christian & Byzantine Art. Vol Art&ideas. Phaidon; 1997.
59.
Sears E, Thomas TK, Forsyth IH. Reading Medieval Images: The Art Historian and the Object. University of Michigan Press; 2002.
60.
Stubblebine JH. GIOTTO THE ARENA CHAPEL FRESCOES.; 1969.
61.
Barkan L. Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture. Yale University Press; 1999.
62.
Bober PP, Rubinstein R, Woodford S. Renaissance Artists & Antique Sculpture: A Handbook of Sources. Harvey Miller; 1986.
63.
Luba Freedman. Neptune in Classical and Renaissance Visual Art. International Journal of the Classical Tradition. 1995;2(2):219-237. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/30222202?seq=1#page_scan_tab_contents
64.
Freedman L. The Revival of the Olympian Gods in Renaissance Art. Cambridge University Press; 2003.
65.
E. H. Gombrich. Botticelli’s Mythologies: A Study in the Neoplatonic Symbolism of His Circle. Journal of the Warburg and Courtauld Institutes. 1945;8:7-60. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/750165?seq=1#page_scan_tab_contents
66.
Gombrich EH. Norm and Form: Studies in the Art of the Renaissance. Vol Studies in the art of the Renaissance. Phaidon Press; 1966.
67.
Greenhalgh M. The Survival of Roman Antiquities in the Middle Ages. Duckworth; 1989.
68.
Haskell F, Penny N. Taste and the Antique: The Lure of Classical Sculpture 1500-1900. Yale University Press; 1981.
69.
Michael W. Kwakkelstein. The Model’s Pose: Raphael’s Early Use of Antique and Italian Art. Artibus et Historiae. 2002;23(46):37-60. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1483696?seq=1#page_scan_tab_contents
70.
Martindale A, Mantegna A. The Triumphs of Caesar by Andrea Mantegna in the Collection of Her Majesty the Queen at Hampton Court. Harvey Miller; 1979.
71.
Prettejohn E. The Modernity of Ancient Sculpture: Greek Sculpture and Modern Art from Winckelmann to Picasso. Vol New directions in classics. I.B. Tauris; 2012.
72.
Arscott C, Scott K. Manifestations of Venus: Art and Sexuality. Vol The Barber Institute’s critical perspectives in art history series. Manchester University Press; 2000.
73.
Seznec J. The Survival of the Pagan Gods: The Mythological Tradition and Its Place in Renaissance Humanism and Art. Harper and Brothers; 1961.
74.
Vermeule CC. European Art and the Classical Past. Harvard University Press; 1964.
75.
Warburg A, Getty Research Institute for the History of Art and the Humanities. The Renewal of Pagan Antiquity: Contributions to the Cultural History of the European Renaissance. Vol Texts&documents. Getty Research Institute for the History of Art and the Humanities; 1999.
76.
Weiss R. The Renaissance Discovery of Classical Antiquity. Blackwell; 1969.
77.
Weiss R. The Renaissance Discovery of Classical Antiquity. 2nd ed. Basil Blackwell; 1988.
78.
Kathleen Wren Christian. Raphael’s ‘Philemon’ and the Collecting of Antiquities in Rome. The Burlington Magazine. 2004;146(1220):760-763. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20073751?seq=1#page_scan_tab_contents
79.
Rudolf Wittkower. Transformations of Minerva in Renaissance Imagery. Journal of the Warburg Institute. 1939;2(3):194-205. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/750097?seq=1#page_scan_tab_contents
80.
Campbell SJ, Cole MW. A New History of Italian Renaissance Art. Thames & Hudson; 2012.
81.
Hulse C. The Rule of Art: Literature and Painting in the Renaissance. University of Chicago Press; 1990.
82.
Kemp M. Behind the Picture: Art and Evidence in the Italian Renaissance. Yale University Press; 1997.
83.
Paoletti JT, Radke GM. Art in Renaissance Italy. Laurence King; 1997.
84.
Verdon T, Henderson J. Christianity and the Renaissance: Image and Religious Imagination in the Quattrocento. Syracuse University Press; 1990.
85.
Welch ES, Welch ES. Art in Renaissance Italy, 1350-1500. Vol Oxford history of art. Oxford University Press; 1997.
86.
Luebke DM. The Counter-Reformation: The Essential Readings. Vol Blackwell essential readings in history. Blackwell; 1999.
87.
Mayor AH. The Art of the Counter Reformation. The Metropolitan Museum of Art Bulletin. 1945;4(4). doi:10.2307/3257265
88.
Lavin I, Pierpont Morgan Library. Bernini and the Unity of the Visual Arts. Vol The Franklin Jasper Walls lectures. [Published for] Pierpont Morgan Library [by] Oxford University Press; 1980.
89.
Susanne Warma. Ecstasy and Vision: Two Concepts Connected with Bernini’s Teresa. The Art Bulletin. 1984;66(3):508-511. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3050453?seq=1#page_scan_tab_contents
90.
Irwin DG. Neoclassicism. Vol Art&ideas. Phaidon; 1997.
91.
Reichardt R, Kohle H. Visualizing the Revolution: Politics and the Pictorial Arts in Late Eighteenth-Century France. Vol Picturing history. Reaktion; 2008.
92.
Reichardt R, Kohle H. Visualizing the Revolution: Politics and the Pictorial Arts in Late Eighteenth-Century France. Vol Picturing history. http://lib.myilibrary.com/browse/open.asp?id=227133&entityid=https://idp.warwick.ac.uk/idp/shibboleth
93.
Roberts W. Jacques-Louis David, Revolutionary Artist: Art, Politics and the French Revolution. University of North Carolina Press; 1989.
94.
Rowland ID, Hanson C, David and Alfred Smart Museum of Art. The Place of the Antique in Early Modern Europe. David and Alfred Smart Museum of Art; 1999.
95.
Wilson-Smith T. Napoleon and His Artists. Constable; 1996.