@article{Ara Osterweil_2006, title={Osterweil, Ara: Caché}, volume={59}, url={http://0-literature.proquest.com.pugwash.lib.warwick.ac.uk/searchFulltext.do?id=R03863356&divLevel=0&queryId=2969134856244&trailId=1590C9E738F&area=criticism&forward=critref_ft}, number={4}, journal={Film Quarterly}, author={Ara Osterweil}, year={2006} }
@misc{Arroyo, title={The Place Beyond the Pines (Derek Cianfrance, USA, 2012) : First Impressions}, url={https://notesonfilm1.com/2013/05/02/the-place-beyond-the-pines-derek-cianfrance-usa-2012/}, author={Arroyo, Jose} }
@misc{Bailey, title={Gaspar Noe: Great Director profile}, url={http://sensesofcinema.com/2003/great-directors/noe/}, author={Bailey, Matt} }
@article{Barker_Cottrel_2015, title={Eyes at the Back of His Head: Precarious Masculinity and the Modern Tracking Shot}, volume={38}, url={http://0-www.euppublishing.com.pugwash.lib.warwick.ac.uk/doi/10.3366/para.2015.0148}, number={1}, journal={Paragraph}, author={Barker, Jennifer M. and Cottrel, Adam}, year={2015}, month={Mar}, pages={86–100} }
@book{Bazin_Andrew_Gray_Renoir_2005, address={Berkeley}, title={What is cinema?: Volume 1}, url={http://site.ebrary.com/lib/warwick/Doc?id=10793606}, publisher={University of California Press}, author={Bazin, André and Andrew, Dudley and Gray, Hugh and Renoir, Jean}, year={2005} }
@article{Benson-Allott, Caetlin, title={Old Tropes in New Dimensions: Stereoscopy and Franchise Spectatorship}, volume={37}, url={http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/1429243961/15DFDA3CA04C45B5PQ/5?accountid=14888}, number={38}, journal={Film Criticism}, author={Benson-Allott, Caetlin}, pages={12–29} }
@inbook{Bolter_Grusin_1999, address={Cambridge, Mass}, title={Immediacy, hypermediacy and remediation}, url={https://contentstore.cla.co.uk/secure/link?id=358652b1-eb2d-e911-80cd-005056af4099}, booktitle={Remediation: understanding new media}, publisher={MIT Press}, author={Bolter, Jay David and Grusin, Richard}, year={1999}, pages={20–50} }
@article{Bordwell, David, title={Intensified Continuity}, volume={55}, url={http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/212288659/24D9796861F54E8DPQ/2?accountid=14888}, number={3}, journal={Film Quarterly}, author={Bordwell, David}, pages={16–28} }
@book{Braudy_Cohen_1999, address={Oxford}, edition={5th ed}, title={Film theory and criticism: introductory readings}, publisher={Oxford University Press}, author={Braudy, Leo and Cohen, Marshall}, year={1999} }
@misc{Brinkema, title={Irreversible}, url={http://www.nottingham.ac.uk/scope/documents/2004/august-2004/film-rev-aug-2004.pdf#page=10}, author={Brinkema, Eugenia} }
@book{Brinkema_2014a, address={Durham}, title={The forms of the affects}, publisher={Duke University Press}, author={Brinkema, Eugenie}, year={2014} }
@book{Brinkema_2014b, address={Durham}, title={The forms of the affects}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2750546}, publisher={Duke University Press}, author={Brinkema, Eugenie}, year={2014} }
@book{Brooker_2012, address={London}, title={Hunting the Dark Knight: twenty-first century Batman}, publisher={I.B. Tauris}, author={Brooker, Will}, year={2012} }
@article{Brottman, MikitaSterritt, David, title={Irréversible}, volume={57}, url={http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/212237776?accountid=14888}, number={2}, journal={Film Quarterly}, author={Brottman, MikitaSterritt, David}, pages={37–42} }
@book{Burke_2015a, address={Jackson}, title={The comic book film adaptation: exploring modern Hollywood’s leading genre}, url={http://encore.lib.warwick.ac.uk/iii/encore/search/C__SThe%20comic%20book%20film%20adaptation__Ff%3Afacetfields%3Atitle%3Atitle%3ATitle%3A%3A__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Ff%3Afacetcloud%3Acomic%20strip%20characters%20in%20motion%20pictures%3Acomic%20strip%20characters%20in%20motion%20pictures%3Acomic%20strip%20characters%20in%20motion%20pictures%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt}, publisher={University Press of Mississippi}, author={Burke, Liam}, year={2015} }
@book{Burke_2015b, address={Jackson, [Mississippi]}, title={The comic book film adaptation: exploring modern Hollywood’s leading genre}, url={http://site.ebrary.com/lib/warwick/Doc?id=11042995}, publisher={University Press of Mississippi}, author={Burke, Liam}, year={2015} }
@article{Carruthers_2011, title={M. Bazin et le temps: reclaiming the timeliness of cinematic time}, volume={52}, url={https://0-academic.oup.com.pugwash.lib.warwick.ac.uk/screen/article-abstract/52/1/13/1668875/M-Bazin-et-le-temps-reclaiming-the-timeliness-of?redirectedFrom=fulltext}, number={1}, journal={Screen}, author={Carruthers, L.}, year={2011}, month={Mar}, pages={13–29} }
@article{Chibnall_2014, title={If You Build It, She Will Come: An Appreciation of Baz Luhrmann’s The Great Gatsby (2013)}, volume={7}, url={https://0-academic.oup.com.pugwash.lib.warwick.ac.uk/adaptation/article/7/1/94/2641993/If-You-Build-It-She-Will-Come-An-Appreciation-of}, number={1}, journal={Adaptation}, author={Chibnall, Steve}, year={2014}, month={Mar}, pages={94–97} }
@misc{Cook, title={Within and without: The Great Gatsby’s 3D experience}, url={https://fashionintofilm.wordpress.com/2013/06/02/within-and-without-the-great-gatsbys-3d-experience/}, author={Cook, Pam} }
@misc{Coppola_Coppola_Henley_Watson_Mann_Farmiga_NALA Films_Studio Canal_Pathé Distribution Limited_Tohokushinsha Film Corporation_et al._2013a, address={[U.K.]}, title={The bling ring}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/06392FC9?bcast=122071770}, publisher={StudioCanal}, author={Coppola, Sofia and Coppola, Roman and Henley, Youree and Watson, Emma and Mann, Leslie and Farmiga, Taissa and NALA Films and Studio Canal and Pathé Distribution Limited and Tohokushinsha Film Corporation and Tobis Filmkunst GmbH. and American Zoetrope (Firm)}, year={2013} }
@misc{Coppola_Coppola_Henley_Watson_Mann_Farmiga_NALA Films_Studio Canal_Pathé Distribution Limited_Tohokushinsha Film Corporation_et al._2013b, address={[U.K.]}, title={The bling ring}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/06392FC9?bcast=122071770}, publisher={StudioCanal}, author={Coppola, Sofia and Coppola, Roman and Henley, Youree and Watson, Emma and Mann, Leslie and Farmiga, Taissa and NALA Films and Studio Canal and Pathé Distribution Limited and Tohokushinsha Film Corporation and Tobis Filmkunst GmbH. and American Zoetrope (Firm)}, year={2013} }
@misc{Drouot_Rossignon_Noé_Bellucci_Cassel_Dupontel_Nahon_Prestia_Debie_Bangalter_et al._2005, address={[France]}, title={Irreversible}, publisher={StudioCanal Vidéo}, author={Drouot, Stéphane and Rossignon, Christophe and Noé, Gaspar and Bellucci, Monica and Cassel, Vincent and Dupontel, Albert and Nahon, Philippe and Prestia, Jo and Debie, Benoît and Bangalter, Thomas and Culkovic, Laure and Juteau, Alain and Muse Productions and Blacklist Films and Studio Canal+ and Nord-Ouest Production and 120 Films and Cinémas de la zone (Firm)}, year={2005} }
@inbook{Elliott_2003, address={Cambridge, United Kingdom}, title={Analogy and category}, url={https://contentstore.cla.co.uk/secure/link?id=e4583768-5820-e711-80c9-005056af4099}, booktitle={Rethinking the novel/film debate}, publisher={Cambridge University Press}, author={Elliott, Kamilla}, year={2003}, pages={9–30} }
@article{Elsaesser_2013, address={Chicago}, title={The "Return” of 3-D: On Some of the Logics and Genealogies of the Image in the Twenty-First Century}, volume={39}, url={http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1086/668523}, DOI={10.1086/668523}, number={2}, journal={Critical Inquiry}, publisher={University of Chicago Press}, author={Elsaesser, Thomas}, year={2013}, pages={217–246} }
@article{Fenner_2005, title={Why Was There So Much Ugly Art in the Twentieth Century?}, volume={39}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3527402?seq=1#page_scan_tab_contents}, number={2}, journal={The Journal of Aesthetic Education}, author={Fenner, David E. W}, year={2005}, pages={13–26} }
@article{Fradley_2010, title={Digital Time: Recent Work in Film Theory}, volume={64}, url={http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/756038777?accountid=14888}, number={1}, journal={Film Quarterly}, author={Fradley, Martin}, year={2010}, month={Sep}, pages={70–74} }
@misc{Frey, title={Michael Haneke: Great Director profile: Senses of Cinema}, url={http://sensesofcinema.com/2010/great-directors/michael-haneke/}, author={Frey, mattias} }
@book{Galt_2011a, address={New York}, title={Pretty: film and the decorative image}, volume={Film and culture}, publisher={Columbia University Press}, author={Galt, Rosalind}, year={2011} }
@book{Galt_2011b, address={New York}, title={Pretty: film and the decorative image}, url={http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2540370}, publisher={Columbia University Press}, author={Galt, Rosalind}, year={2011} }
@book{Galt, address={New York}, title={Pretty: film and the decorative image}, volume={Film and culture}, url={http://warw.eblib.com/patron/FullRecord.aspx?p=895150}, publisher={Columbia University Press}, author={Galt, Rosalind} }
@article{Geuens, Jean-Pierre, title={The Grand Style}, volume={58}, url={http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/212308828?accountid=14888}, number={4}, journal={Film Quarterly}, author={Geuens, Jean-Pierre}, pages={27–38} }
@book{Gordon_Jancovich_McAllister_2007, address={Jackson}, edition={1st ed}, title={Film and comic books}, publisher={University Press of Mississippi}, author={Gordon, Ian and Jancovich, Mark and McAllister, Matthew P.}, year={2007} }
@book{Gordon_Jancovich_McAllister_ebrary, Inc_2007, address={Jackson}, edition={1st ed}, title={Film and comic books}, url={http://ebookcentral.proquest.com/lib/WARW/detail.action?docID=840334}, publisher={University Press of Mississippi}, author={Gordon, Ian and Jancovich, Mark and McAllister, Matthew P. and ebrary, Inc}, year={2007} }
@article{Griffiths, Alison, title={Sensual Vision: 3-D, Medieval Art, and the Cinematic Imaginary}, volume={37}, url={http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/1429244023/ECF6365A850349D4PQ/7?accountid=14888}, number={38}, journal={Film Criticism}, author={Griffiths, Alison}, pages={60–85} }
@misc{Hagener, title={Cinephilia in the Age of the Post-Cinematographic}, url={http://www.photogenie.be/photogenie_blog/article/cinephilia-age-post-cinematographic}, author={Hagener, malte} }
@inbook{Hall_1997, address={London}, title={The work of representation}, volume={Culture, media, and identities}, url={https://contentstore.cla.co.uk/secure/link?id=ab893111-9a43-e611-80bd-0cc47a6bddeb}, booktitle={Representation: cultural representations and signifying practices}, publisher={Sage in association with the Open University}, author={Hall, Stuart}, year={1997}, pages={13–75} }
@misc{Haneke_Auteuil_Binoche_Bénichou_Girardot_Le Coq_Afkir_Makedonsky_Duval_Richard_et al._2006, address={[London]}, title={Hidden}, publisher={Artificial Eye}, author={Haneke, Michael and Auteuil, Daniel and Binoche, Juliette and Bénichou, Maurice and Girardot, Annie and Le Coq, Bernard and Afkir, Walid and Makedonsky, Lester and Duval, Daniel and Richard, Nathalie and Podalydès, Denis and Maïga, Aïssa and Films du losange (Firm)}, year={2006} }
@book{Jenkins_2008, address={New York}, title={Convergence culture: where old and new media collide}, publisher={New York University Press}, author={Jenkins, Henry}, year={2008} }
@book{Jenkins, address={New York}, title={Convergence culture: where old and new media collide}, url={http://0-hdl.handle.net.pugwash.lib.warwick.ac.uk/2027/heb.05936.0001.001}, publisher={New York University Press}, author={Jenkins, Henry} }
@book{Korine_Hanley_Gertner_Zander_Anthonioz_Franco_Gomez_Hudgens_Korine_Benson_et al._2013, address={Santa Monica, Calif}, edition={[Widescreen ed.]}, title={Spring breakers}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/05BDE942?bcast=116797790}, publisher={Lionsgate}, author={Korine, Harmony and Hanley, Chris and Gertner, Jordan and Zander, David and Anthonioz, Charles-Marie and Franco, James and Gomez, Selena and Hudgens, Vanessa and Korine, Rachel and Benson, Ashley and Debie, Benoît and Skrillex and Annapurna Productions and Hero Entertainment (Firm) and Muse Productions and Rabbit Bandini Productions (Firm) and Radar Pictures and Lions Gate Home Entertainment}, year={2013} }
@misc{Korine_Hanley_Gertner_Zander_Anthonioz_Franco_Gomez_Hudgens_Korine_Benson_et al., address={[U.K.]}, title={Spring breakers}, publisher={Universal}, author={Korine, Harmony and Hanley, Chris and Gertner, Jordan and Zander, David and Anthonioz, Charles-Marie and Franco, James and Gomez, Selena and Hudgens, Vanessa and Korine, Rachel and Benson, Ashley and Debie, Benoît and Skrillex and Hero Entertainment (Firm) and Muse Productions and Radar Pictures and Universal-International (Firm)} }
@article{Kristen Daly_2010, title={Cinema 3.0: The Interactive-Image}, volume={50}, url={http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/405349}, number={1}, journal={Cinema Journal}, publisher={University of Texas Press}, author={Kristen Daly}, year={2010}, pages={81–98} }
@misc{Luhrmann_Pearce_Osborne_Berman_DiCaprio_Maguire_Mulligan_Edgerton_Fisher_Clarke_et al._2013, address={Burbank, CA}, title={The great Gatsby}, publisher={Distributed by Warner Home Video}, author={Luhrmann, Baz and Pearce, Craig and Osborne, Barrie and Berman, Bruce and DiCaprio, Leonardo and Maguire, Tobey and Mulligan, Carey and Edgerton, Joel and Fisher, Isla and Clarke, Jason and Debicki, Elizabeth and Thompson, Jack and Bachchan, Amitabh and Duggan, Simon and Martin, Catherine and Villa, Matt and Ballantine, Jason and Redmond, Jonathan and Armstrong, Craig and Fitzgerald, F. Scott and Jay-Z and Warner Bros. Pictures (1969- ) and Village Roadshow Pictures and Arts and Entertainment Network and Bazmark Films (Firm) and Red Wagon Entertainment (Firm) and Warner Home Video (Firm)}, year={2013} }
@inbook{Manovich_2002, address={Cambridge, Mass}, edition={1st MIT Press pbk. ed}, title={What is cinema?}, volume={Leonardo}, url={https://contentstore.cla.co.uk/secure/link?id=388a2956-ae43-e611-80bd-0cc47a6bddeb}, booktitle={The language of new media}, publisher={MIT Press}, author={Manovich, Lev}, year={2002}, pages={286–333} }
@book{McCloud_1994, address={New York}, edition={1st HarperPerennial ed}, title={Understanding comics: the invisible art}, publisher={HarperPerennial}, author={McCloud, Scott}, year={1994} }
@article{Nesselson, Lisa, title={Irreversible}, volume={387}, url={http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/236201344/7CB8A6BD3784A89PQ/59?accountid=14888}, number={3}, journal={Variety}, author={Nesselson, Lisa} }
@book{Nichols_1976, address={Berkeley, Calif}, title={Movies and methods: an anthology}, publisher={University of California Press}, author={Nichols, Bill}, year={1976} }
@misc{Paronnaud_Rigault_Robert_Mastroianni_Deneuve_Darrieux_Abkarian_Lopes_Jérosme_Elmaleh_et al._2008, address={[S.l.]}, title={Persepolis}, publisher={Optimum Releasing}, author={Paronnaud, Vincent and Rigault, Xavier and Robert, Marc-Antoine and Mastroianni, Chiara and Deneuve, Catherine and Darrieux, Danielle and Abkarian, Simon and Lopes, Gabrielle and Jérosme, François and Elmaleh, Arié and Mlekuz, Mathias and Satrapi, Marjane and Optimum Releasing (Firm)}, year={2008} }
@inbook{Perkins_2005, address={Manchester}, title={Where is the world?: the horizon of events in movie fiction}, url={http://www2.warwick.ac.uk/services/library/search/extracts/fi/fi301}, booktitle={Style and meaning: studies in the detailed analysis of film}, publisher={Manchester University Press}, author={Perkins, V F}, year={2005}, pages={16–41} }
@article{Prince, Stephen, title={True Lies Perceptual Realism, Digital Images, and Film Theory}, volume={49}, url={http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/223097348?accountid=14888}, number={3}, journal={Film Quarterly (ARCHIVE)}, author={Prince, Stephen}, pages={27–37} }
@misc{Proctor, title={Avengers Assembled: the Marvel transmedia universe}, url={https://www.nottingham.ac.uk/scope/documents/2014/february/filmrevfeb2014.pdf}, author={Proctor, William}, pages={8–16} }
@book{Purse_2013a, address={Edinburgh}, title={Digital imaging in popular cinema}, publisher={Edinburgh University Press}, author={Purse, Lisa}, year={2013} }
@book{Purse_2013b, address={Edinburgh}, title={Digital Imaging in Popular Cinema}, url={http://warw.eblib.com/patron/FullRecord.aspx?p=1126596}, publisher={Edinburgh University Press}, author={Purse, Lisa}, year={2013} }
@inbook{Purse_2013c, address={Edinburgh}, title={The Digital in three dimensions}, url={https://contentstore.cla.co.uk/secure/link?id=5cffa316-c343-e611-80bd-0cc47a6bddeb}, booktitle={Digital Imaging in Popular Cinema}, publisher={Edinburgh University Press}, author={Purse, Lisa}, year={2013}, pages={129–151} }
@article{Rooney_Hennessy_2013, title={Actually in the Cinema: A Field Study Comparing Real 3D and 2D Movie Patrons’ Attention, Emotion, and Film Satisfaction}, volume={16}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/15213269.2013.838905}, number={4}, journal={Media Psychology}, author={Rooney, Brendan and Hennessy, Eilis}, year={2013}, month={Oct}, pages={441–460} }
@article{Ross_2013, title={Stereoscopic visuality: Where is the screen, where is the film?}, volume={19}, url={http://journals.sagepub.com/doi/abs/10.1177/1354856513494178}, number={4}, journal={Convergence: The International Journal of Research into New Media Technologies}, author={Ross, M.}, year={2013}, month={Nov}, pages={406–414} }
@article{Sandifer_2011, title={Out of the Screen and into the Theater: 3-D Film as Demo}, volume={50}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/41240714?seq=1#page_scan_tab_contents}, number={3}, journal={Cinema Journal}, author={Sandifer, Philip}, year={2011}, pages={62–78} }
@article{Scott Higgins_2012, title={3D in Depth: Coraline, Hugo, and a Sustainable Aesthetic}, volume={24}, url={http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/479268}, number={2}, journal={Film History: An International Journal}, publisher={Indiana University Press}, author={Scott Higgins}, year={2012}, pages={196–209} }
@article{Sharrett_2005, title={Cache}, volume={31}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/41689944?seq=1#page_scan_tab_contents}, number={1}, journal={Cinéaste}, publisher={Cineaste Publishers, Inc.Cineaste Publishers, Inc.}, author={Sharrett, Christopher}, year={2005}, pages={60–84} }
@article{Smaill_2013, title={Sofia Coppola}, volume={13}, url={http://0-www.tandfonline.com.pugwash.lib.warwick.ac.uk/doi/abs/10.1080/14680777.2011.595425}, number={1}, journal={Feminist Media Studies}, author={Smaill, Belinda}, year={2013}, month={Feb}, pages={148–162} }
@book{Sousanis_2015, address={Cambridge, Massachusetts}, title={Unflattening}, publisher={Harvard University Press}, author={Sousanis, Nick}, year={2015} }
@inbook{Stam_2000, address={London}, title={Beyond fidelity}, url={https://contentstore.cla.co.uk/secure/link?id=e851c813-5820-e711-80c9-005056af4099}, booktitle={Film adaptation}, publisher={Athlone}, author={Stam, Robert}, year={2000}, pages={54–76} }
@book{Wells_1998, address={London}, title={Understanding animation}, publisher={Routledge}, author={Wells, Paul}, year={1998} }
@article{William Paul_1993, title={The Aesthetics of Emergence Original text}, volume={5}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3815145?seq=1#page_scan_tab_contents}, number={3}, journal={Film History}, publisher={Indiana University PressIndiana University Press}, author={William Paul}, year={1993}, pages={321–355} }
@article{Digital Media in Cinema Journal, 1995–2008_2009, volume={49}, url={http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/25619755?Search=yes&resultItemClick=true&searchText=no:1&searchText=AND&searchText=sp:154&searchText=AND&searchText=vo:49&searchText=AND&searchText=year:2009&searchUri=%2Faction%2FdoBasicSearch%3Famp%3D%26Query%3Dno%253A1%2BAND%2Bsp%253A154%2BAND%2Bvo%253A49%2BAND%2Byear%253A2009%26ymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&seq=1#page_scan_tab_contents}, number={1}, journal={Cinema Journal}, year={2009}, pages={154–160} }
@misc{Hidden (2005), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/00C9377F?bcast=69333958}, publisher={Channel 4} }
@misc{Eyes Wide Shut (1999), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/000F6BB1?bcast=90625108}, publisher={ITV2} }
@misc{2001: A Space Odyssey (1968), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/004BC6CB?bcast=120684070}, publisher={BBC4} }
@misc{Memento (2000), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/00152293?bcast=121115603}, publisher={BBC2 England} }
@misc{The Rules of Attraction (2002), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/005C7AD3?bcast=68490192}, publisher={Channel 4} }
@misc{Persepolis (2007), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/01184EA9?bcast=108633706}, publisher={FilmFour} }
@misc{Scott Pilgrim vs the World (2010), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/02FA5FBF?bcast=122280015}, publisher={Channel 4} }
@misc{From the Panel to the Frame: Style and Scott Pilgrim on Vimeo, url={https://vimeo.com/59355775} }
@misc{Transmedia Synergies - Remediating Films and Video Games on Vimeo, url={https://vimeo.com/43326496} }
@misc{The Place Beyond the Pines (2012), url={https://learningonscreen.ac.uk/ondemand/index.php/prog/05E16604?bcast=123319535}, publisher={FilmFour} }
