[1]
D. Bordwell and K. Thompson, ‘The Shot: Cinematography’, in Film Art: an Introduction, Tenth edition., New York: McGraw-Hill, 2008, pp. 162–217 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099
[2]
J. Gibbs, Mise-en-scène: Film Style and Interpretation, vol. Short cuts. London: Wallflower, 2002 [Online]. Available: https://go.exlibris.link/mRKMv93t
[3]
V. F. Perkins, Film as Film: Understanding and Judging Movies, vol. A Pelican original. Harmondsworth: Penguin, 1972.
[4]
T. Corrigan and P. White, The Film Experience: an Introduction, Fourth edition. Boston: Bedford/St. Martins, 2015.
[5]
P. Cook, The Cinema Book, 3rd ed. London: BFI, 2007.
[6]
G. Kelly et al., ‘Singin’ in the Rain’. Turner Entertainment Co, [United Kingdom], 2000 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0018C80D?bcast=123188027
[7]
K. Wong and T. C. W. Leung, ‘In the Mood for Love’. Channel 4, [London], 2003 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/001596F2?bcast=115284419
[8]
V. F. Perkins, ‘Moments of Choice’, in Movies of the fifties, London: Orbis, 1982, pp. 209–213.
[9]
S. Teo, ‘Wong Kar-wai’s In the Mood for Love: Like a Ritual in Transfigured Time’, 2001 [Online]. Available: http://sensesofcinema.com/2001/wong-kar-wai/mood/
[10]
D. Bordwell and K. Thompson, ‘The Shot: Mise-en-scene’, in Film art: an introduction, 8th ed., New York: McGraw-Hill Higher Education, 2008, pp. 112–161 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=672e9160-1f50-e611-80c6-005056af4099
[11]
J. Gibbs, Mise-en-scène: Film Style and Interpretation, vol. Short cuts. London: Wallflower, 2002 [Online]. Available: https://go.exlibris.link/mRKMv93t
[12]
J. Gibbs, Mise-en-scène: Film Style and Interpretation. 2002 [Online]. Available: http://WARW.eblib.com/patron/Read.aspx?p=927987&pg=1
[13]
P. Cook, Screening the Past: Memory and Nostalgia in Cinema. London: Routledge, 2005.
[14]
C. Marcantonio, ‘In the Mood for Love’, 2010. [Online]. Available: http://sensesofcinema.com/2010/cteq/in-the-mood-for-love/
[15]
S. Teo, Wong Kar-Wai, vol. World directors. London: BFI, 2005.
[16]
R. Weine, E. Pommer, W. Krauss, C. Veidt, F. Feher, and L. Dagover, ‘The Cabinet of Dr. Caligari’. [s.n.], [U.K.], 1991.
[17]
A. Hitchcock et al., ‘Rear Window’. Universal Pictures, [UK], 2005 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000329A?bcast=124479046
[18]
J. Wyman et al., ‘All That Heaven Allows’. Universal Pictures Video, [London?], 2007 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0001483A?bcast=124401766
[19]
J. Glazer et al., ‘Birth’. Film Four, [England], 2008 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/00570D86?bcast=104260940
[20]
D. Bordwell and K. Thompson, ‘The Shot: Cinematography’, in Film Art: an Introduction, Tenth edition., New York: McGraw-Hill, 2008, pp. 162–217 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099
[21]
D. Thomson, ‘Birth’, [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=5137bebe-d943-e611-80bd-0cc47a6bddeb
[22]
B. Balasz, ‘The Close-Up’, in Film Theory and Criticism: Introductory Readings, 2nd ed., New York: Oxford University Press, 1945, pp. 288–298 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=374b520e-9f82-e711-80cb-005056af4099
[23]
Henderson, Brian, ‘The Long Take’, Film Comment, vol. 7, no. 2, pp. 6–11, 1971 [Online]. Available: http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/210282759/fulltext/624C400050354250PQ/1?accountid=14888
[24]
T. Schatz, The Genius of the System: Hollywood Film-Making in the Studio Era. London: Faber and Faber, 1998.
[25]
C. T. Dreyer, ‘The Passion of Joan of Arc’. Criterion Collection, [Irvington, N.Y.], 1999.
[26]
C. Chaplin et al., ‘City Lights’, vol. The Chaplin Collection. MK2, [Burbank, CA], 2003.
[27]
J. Glazer et al., ‘Under the Skin’. StudioCanal, England, 2014 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/085C33A2?bcast=120745173
[28]
M. Curtiz and H. Bogart, ‘Casablanca’. Warner Home Video, 1999 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/001C11A0?bcast=114467368
[29]
D. Bordwell and K. Thompson, ‘The Shot: Cinematography’, in Film Art: an Introduction, Tenth edition., New York: McGraw-Hill, 2008, pp. 162–217 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099
[30]
R. B. Ray, ‘The Culmination of Classic Hollywood: Casablanca’, [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=0ad5cd66-c443-e611-80bd-0cc47a6bddeb
[31]
N. Burch and H. R. Lane, Theory of Film Practice, vol. Cinema two. London: Secker and Warburg, 1973.
[32]
J. Zborowski, Classical Hollywood Cinema: Point of View and Communication. Manchester, England: Manchester University Press, 2016 [Online]. Available: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3102821
[33]
R. Maltby, Hollywood Cinema, 2nd ed. Oxford: Blackwell, 2003.
[34]
V. Orpen, Film Editing: the Art of the Expressive, vol. Short cuts. London: Wallflower, 2003.
[35]
D. Thomson, The Whole Equation: a Hstory of Hollywood. London: Little, Brown, 2005.
[36]
G. Cukor et al., ‘Holiday’, vol. Columbia classics. Columbia TriStar Home Video, [London], 2005 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/00799133?bcast=65988187
[37]
J. L. Mankiewicz, ‘The Ghost and Mrs. Muir’. BBC 2, [London], 1994 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0072B92C?bcast=63279565
[38]
H. Hawks, ‘Only Angels Have Wings’. [s.n.], [U.K], 1981 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0008EB32?bcast=29103113
[39]
A. Kurosawa, ‘Yojimbo (Akira Kurosawa, Japan, 1961)’. BFI Video Publishing, London, 2000 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/000F3A16?bcast=116007029
[40]
A. Bazin and H. Gray, What is Cinema? Berkeley: University of California Press, 2005 [Online]. Available: http://0-quod.lib.umich.edu.pugwash.lib.warwick.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08209.0001.001
[41]
J. Zborowski, Classical Hollywood Cinema: Point of View and Communication. Manchester, England: Manchester University Press, 2016 [Online]. Available: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3102821
[42]
D. Richie, ‘Yojimbo’, in The Films of Akira Kurosawa, (New ed.)., Berkeley, Calif: University of California Press, 1998, pp. 147–155 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=a61314ec-0c84-e711-80cb-005056af4099
[43]
P. Cowie, Akira Kurosawa: Master of Cinema. New York: Rizzoli, 2010.
[44]
J.-P. Geuens, ‘The Depth of the Field’, Quarterly Review of Film and Video, vol. 31, no. 6, pp. 572–585, 2014, doi: 10.1080/10509208.2012.686812. [Online]. Available: http://0-doi.org.pugwash.lib.warwick.ac.uk/10.1080/10509208.2012.686812
[45]
‘Literature/Film Quarterly’.
[46]
G. Sim, ‘Cinematic Expressions of Rakugo in Akira Kurosawa’s Comedies Yojimbo and Sanjuro’, Asian Cinema, vol. 22, no. 2, pp. 253–268, 2011 [Online]. Available: https://arlir.iii.com/nonret~S0&atitle=Cinematic+Expressions+of+Rakugo+in+Akira+Kurosawa%99s+Comedies+Yojimbo+and+Sanjuro&title=Asian+Cinema&aufirst=Gerald&auinit=&aulast=Sim&issn=1059440X&eissn=20496710&coden=&volume=22&issue=2&spage=253&epage=268&quarter=&ssn=&date=2011&sid=&reqtype3
[47]
‘Citizen Kane (Dir. Orson Welles, USA, 1941)’. [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/000A6D70?bcast=38970013
[48]
J. Renoir et al., ‘La règle du jeu: The rules of the game’. BFI Video Pub, London, 2003 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/004E41D5?bcast=124145491
[49]
W. Wyler, D. Andrews, M. Loy, V. Mayo, F. March, and H. Russell, ‘The Best Years of Our Lives’. MGM Home Entertainment, Santa Monica, CA, 2004.
[50]
A. Hitchcock et al., ‘Vertigo’. Universal Pictures (UK), [U.K.], 2008 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E85A?bcast=123569267
[51]
D. Spoto, ‘Vertigo’, [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=46d16418-d443-e611-80bd-0cc47a6bddeb
[52]
R. Wood, ‘Vertigo’. [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=34e1c816-e743-e611-80bd-0cc47a6bddeb
[53]
V. F. Perkins, Film as Film: Understanding and Judging Movies, vol. A Pelican original. Harmondsworth: Penguin, 1972.
[54]
S. Gottlieb and C. Brookhouse, Framing Hitchcock: Selected Essays from the Hitchcock Annual, vol. Contemporary film and television series. Detroit: Wayne State University Press, 2002.
[55]
C. Barr and British Film Institute, Vertigo, 2nd ed., vol. BFI film classics. London: BFI, 2012.
[56]
J. Gibbs and D. Pye, Style and Meaning: Studies in the Detailed Analysis of Film. Manchester: Manchester University Press, 2005.
[57]
‘Costuming and the Color System of Leave her to Heaven.’, Film Criticism, vol. XI, no. 3, pp. 11–20, 1987 [Online]. Available: http://0-fiaf.chadwyck.com.pugwash.lib.warwick.ac.uk/fulltext/indexFullText.do?id=004/0094251&area=index&fromToC=yes&jid=006/0000129
[58]
D. F. Zanuck et al., ‘Leave Her to Heaven’. Twentieth Century Fox Home Entertainment, Beverly Hills, CA, 2004.
[59]
‘A Matter of Life and Death (Dir. Michael Powell & Emeric Pressburger, UK, 1946)’. [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/00C8C204?bcast=120690185
[60]
L. Ramsay et al., ‘We Need to Talk About Kevin’. BBC2, [U.K.], 2014 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/02A76758?bcast=115715399
[61]
R. Scott et al., ‘Stoker’. 20th Century Fox Home Entertainment, [England], 2013.
[62]
D. Bordwell and K. Thompson, ‘The Shot: Cinematography’, in Film Art: an Introduction, Tenth edition., New York: McGraw-Hill, 2008, pp. 162–217 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=c4708d7a-36c3-e911-80cd-005056af4099
[63]
J. O’Meara, ‘Inside the Outsider’s Ear - Hyperacousia and Marginalized Character Indentification’, [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=1f7056d1-ba43-e611-80bd-0cc47a6bddeb
[64]
B. Balasz, ‘The Close-Up’, in Film Theory and Criticism: Introductory Readings, 2nd ed., New York: Oxford University Press, 1945, pp. 288–298 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=374b520e-9f82-e711-80cb-005056af4099
[65]
P. Reay, Music in Film: Soundtracks and Synergy, vol. Short cuts. London: Wallflower, 2004.
[66]
H. Hanson, Hollywood Heroines: Women in Film Noir and the Female Gothic Film. London: I. B. Tauris, 2007.
[67]
O. Weetch and 2013, ‘Stoker: Alternate Take’. [Online]. Available: http://www.alternatetakes.co.uk/?2013,4,484
[68]
J. Caughie and British Film Institute, Theories of Authorship: a Reader, vol. British Film Institute readers in film studies. London: Routledge & Kegan Paul in association with the British Film Institute, 1981.
[69]
F. Lang, ‘M’. Eureka Video, [U.K.], 2003.
[70]
F. F. Coppola et al., ‘The Conversation’. Film4, [U.K.], 2011 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/000191F3?bcast=82899187
[71]
A. Cuarón et al., ‘Gravity’. Warner Home Video, a division of Warner Bros. Entertainment UK Ltd, London, 2014 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/068A7B49?bcast=124554628
[72]
B. Keaton and E. Cline, ‘One Week’. Channel 4, [London], 1995.
[73]
B. Keaton, M. Mack, W. Pittenger, C. Bruckman, J. Hisaishi, and W. Disney, ‘The General’. 2 entertain Video, Cinema Club, London, 2005.
[74]
W. Strauven, The Cinema of Attractions Reloaded, vol. Film culture in transition. Amsterdam: Amsterdam University Press, 2006 [Online]. Available: http://lib.myilibrary.com/Open.aspx?id=95844&src=0
[75]
A. Clayton, The Body in Hollywood Slapstick. Jefferson, N.C.: McFarland & Co, 2007.
[76]
David Bordwell, ‘Intensified Continuity Visual Style in Contemporary American Film’, Film Quarterly, vol. 55, no. 3, pp. 16–28, 2002 [Online]. Available: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/10.1525/fq.2002.55.3.16?seq=1#page_scan_tab_contents
[77]
N. Carroll, Comedy Incarnate: Buster Keaton, Physical Humour and Bodily Coping. Oxford: Blackwell, 2006.
[78]
N. Carroll and Wiley InterScience (Online service), Comedy incarnate: Buster Keaton, physical humor, and bodily coping. Malden, MA, USA: Blackwell Pub, 2007 [Online]. Available: http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9780470754931
[79]
H. Jenkins, K. B. Karnick, and American Film Institute, Classical Hollywood Comedy, vol. AFI film readers. New York: Routledge, 1995.
[80]
G. Perez, The Material Ghost: Films and their Medium. Baltimore, Md: Johns Hopkins University Press, 1998.
[81]
T. Paulus and R. King, Slapstick Comedy, vol. AFI film readers. New York: Routledge, 2010.
[82]
H. Lloyd, L. Maltin, R. Correll, and New Line Home Entertainment (Firm), ‘The Harold Lloyd comedy collection: Vol. 1’. New Line Home Entertainment, [Los Angeles, Calif.], 2005.
[83]
C. Chaplin et al., ‘Modern Times’. Park Circus, [U.K.], 2010 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/00002449?bcast=123248395
[84]
G. Verbinski and J. Depp, ‘The Lone Ranger [DVD]’. [Online]. Available: http://www.amazon.co.uk/Lone-Ranger-DVD-Johnny-Depp/dp/B00ECCRNG6/ref=sr_1_2?ie=UTF8&qid=1455639448&sr=8-2&keywords=the+lone+ranger
[85]
David Bordwell, ‘Intensified Continuity Visual Style in Contemporary American Film’, Film Quarterly, vol. 55, no. 3, pp. 16–28, 2002 [Online]. Available: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/10.1525/fq.2002.55.3.16?seq=1#page_scan_tab_contents
[86]
L. Purse, Contemporary Action Cinema. Edinburgh: Edinburgh University Press, 2011 [Online]. Available: http://pugwash.lib.warwick.ac.uk/record=b2954621
[87]
Bonny Cassidy, ‘Stanza and deliver – the Filmic Poetry of Mad Max: Fury Road’, The Conversation, 2015 [Online]. Available: http://theconversation.com/stanza-and-deliver-the-filmic-poetry-of-mad-max-fury-road-42750
[88]
J. Arroyo, Action/Spectacle Cinema: a Sight and Sound Reader. London: British Film Institute, 2000.
[89]
C. Lester, ‘Apocalypse and Optimism in Mad Max: Fury Road and Tomorrowland: Alternate Take’. [Online]. Available: http://www.alternatetakes.co.uk/?2015,6,644
[90]
N. Jones, Hollywood Action Films and Spatial Theory, vol. Routledge advances in film studies. New York: Routledge, 2015.
[91]
A. Martin, The Mad Max Movies, vol. Australian screen classics. Strawberry Hills, NSW: Currency Press and ScreenSound Australia, National Screen and Sound Archives, 2003.
[92]
P. Greengrass and M. Damon, ‘The Bourne Ultimatum [DVD]’, 2007. [Online]. Available: http://www.amazon.co.uk/Bourne-Ultimatum-DVD-Matt-Damon/dp/B000IOM98Y/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455640786&sr=1-1&keywords=bourne+ultimatum
[93]
J. J. Abrams and T. Cruise, ‘Mission Impossible 3 [DVD]’. [Online]. Available: http://www.amazon.co.uk/Mission-Impossible-Single-Disc-DVD/dp/B000HWXS0K/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455640884&sr=1-1&keywords=mission+impossible+3
[94]
S. Spielberg and H. Ford, ‘Indiana Jones and the Kingdom of the Crystal Skull [DVD]’. [Online]. Available: http://www.amazon.co.uk/Indiana-Kingdom-Crystal-2-Disc-Special/dp/B0011905MW/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455641020&sr=1-1&keywords=indiana+jones+and+the+crystal+skull
[95]
A. Resnais, E. Riva, and E. Okada, ‘Hiroshima mon amour’. Nouveaux Pictures, [England?], 2004 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/00122A71?bcast=108804037
[96]
R. Farmer, ‘Marker, Resnais, Varda: Remembering the Left Bank Group’, 2009 [Online]. Available: http://sensesofcinema.com/2009/feature-articles/marker-resnais-varda-remembering-the-left-bank-group/
[97]
G. Vincendeau and P. Graham, The French new wave: critical landmarks, [New ed.]. London: BFI/Palgrave Macmillan, 2009.
[98]
E. Wilson, Alain Resnais, vol. French film directors. Manchester: Manchester University Press, 2006.
[99]
J. Monaco, Alain Resnais. New York: Oxford University Press, 1979.
[100]
L. A. Higgins, New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France, vol. Stages (Series). Lincoln: University of Nebraska Press, 1996.
[101]
L. Rascaroli, J. D. Rhodes, and British Film Institute, Antonioni: Centenary Essays. London: Palgrave Macmillan, 2011.
[102]
Alain Resnais, ‘Nuit et Brouillard/Night and Fog [videorecording]’. [Online]. Available: http://webcat.warwick.ac.uk/search~S15?/Xnuit+et+brouillard&searchscope=15&SORT=DZ/Xnuit+et+brouillard&searchscope=15&SORT=DZ&extended=0&SUBKEY=nuit+et+brouillard/1%2C11%2C11%2CB/frameset&FF=Xnuit+et+brouillard&searchscope=15&SORT=DZ&3%2C3%2C
[103]
Jean-Luc Godard, ‘A Bout de Souffle/Breathless [videorecording]’. [Online]. Available: http://webcat.warwick.ac.uk/search~S15?/Xa+bout+de+souffle&searchscope=15&SORT=DZ/Xa+bout+de+souffle&searchscope=15&SORT=DZ&extended=0&SUBKEY=a+bout+de+souffle/1%2C12%2C12%2CB/frameset&FF=Xa+bout+de+souffle&searchscope=15&SORT=DZ&2%2C2%2C
[104]
P. Courau et al., ‘L’Année dernière a Marienbad/Last Year at Marienbad’, vol. The Criterion collection. Criterion Collection, [Irvington, NY], 2009.
[105]
Agnes Varda, ‘Cléo de 5 à 7/Cleo from 5 to 7 [videorecording]’. [Online]. Available: http://webcat.warwick.ac.uk/search~S15?/Xcleo+de+5+a+7&searchscope=15&SORT=DZ/Xcleo+de+5+a+7&searchscope=15&SORT=DZ&extended=0&SUBKEY=cleo+de+5+a+7/1%2C9%2C9%2CB/frameset&FF=Xcleo+de+5+a+7&searchscope=15&SORT=DZ&1%2C1%2C
[106]
François Truffaut, ‘Les Quatre Cents Coups/The 400 Blows [videorecording]’. [Online]. Available: http://webcat.warwick.ac.uk/search~S15?/Xles+quatre+cents+coups&searchscope=15&SORT=DZ/Xles+quatre+cents+coups&searchscope=15&SORT=DZ&extended=0&SUBKEY=les+quatre+cents+coups/1%2C5%2C5%2CB/frameset&FF=Xles+quatre+cents+coups&searchscope=15&SORT=DZ&1%2C1%2C
[107]
M. Antonioni and M. Antonioni, ‘L’eclisse’. Art House Original, [s.l.], 1962.
[108]
D. Bordwell, ‘The Art Cinema as a Mode of Film Practice’, Film Criticism, vol. IV, no. 1, pp. 56–64, 1979 [Online]. Available: https://0-search-proquest-com.pugwash.lib.warwick.ac.uk/fiaf/docview/222728459/fulltext/DC65F094D99E4564PQ/1?accountid=14888
[109]
C. Fowler, The European Cinema Reader. London: Routledge, 2002.
[110]
G. Perez, The Material Ghost: Films and their Medium. Baltimore, Md: Johns Hopkins University Press, 1998.
[111]
P. Brunette, The Films of Michelangelo Antonioni, vol. Cambridge film classics. Cambridge: Cambridge University Press, 1998.
[112]
D. Thomson, The Big Screen: the Story of the Movies, 1st ed. New York: Farrar, Straus and Giroux, 2012.
[113]
Michelangelo Antonioni, ‘L’Avventura [videorecording]’. [Online]. Available: http://webcat.warwick.ac.uk/search~S15?/Xl%27avventura&searchscope=15&SORT=DZ/Xl%27avventura&searchscope=15&SORT=DZ&extended=0&SUBKEY=l%27avventura/1%2C41%2C41%2CB/frameset&FF=Xl%27avventura&searchscope=15&SORT=DZ&1%2C1%2C
[114]
Antonioni, Michelangelo., ‘La Notte/The Night [videorecording]’. [Online]. Available: http://webcat.warwick.ac.uk/search~S15?/Xla+notte&searchscope=15&SORT=DZ/Xla+notte&searchscope=15&SORT=DZ&extended=0&SUBKEY=la+notte/1%2C28%2C28%2CB/frameset&FF=Xla+notte&searchscope=15&SORT=DZ&1%2C1%2C
[115]
B. Rafelson, ‘Five Easy Pieces’. BBC2, [London], 1983 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B5A7?bcast=31133366
[116]
P. Krämer, The New Hollywood: from Bonnie and Clyde to Star Wars, vol. Short cuts. London: Wallflower, 2005.
[117]
Derek Nystrom, ‘Hard Hats and Movie Brats: Auteurism and the Class Politics of the New Hollywood’, Cinema Journal, vol. 43, no. 3, pp. 18–41, 2004 [Online]. Available: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3661107?seq=1#page_scan_tab_contents
[118]
‘Cinema Journal’ [Online]. Available: http://webcat.warwick.ac.uk/search~S15?/Xcinema+journal&searchscope=15&SORT=DZ/Xcinema+journal&searchscope=15&SORT=DZ&SUBKEY=cinema+journal/1%2C39%2C39%2CB/frameset&FF=Xcinema+journal&searchscope=15&SORT=DZ&2%2C2%2C
[119]
P. Biskind, Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood. London: Bloomsbury, 1998.
[120]
D. Thomson, The Big Screen: the Story of the Movies, 1st ed. New York: Farrar, Straus and Giroux, 2012.
[121]
Arthur Penn, ‘Bonnie and Clyde [videorecording]’. [Online]. Available: http://webcat.warwick.ac.uk/search~S15?/Xbonnie+and+clyde&searchscope=15&SORT=DZ/Xbonnie+and+clyde&searchscope=15&SORT=DZ&extended=0&SUBKEY=bonnie+and+clyde/1%2C19%2C19%2CB/frameset&FF=Xbonnie+and+clyde&searchscope=15&SORT=DZ&5%2C5%2C
[122]
Mike Nichols, ‘The Graduate [videorecording]’. [Online]. Available: http://webcat.warwick.ac.uk/search~S15/?searchtype=X&searcharg=the+graduate+mike+nichols&searchscope=15&sortdropdown=-&SORT=DZ&extended=0&SUBMIT=Search&searchlimits=&searchorigarg=Xthe+graduate%26SORT%3DDZ
[123]
P. Fonda et al., Easy rider, 35th anniversary special ed. [London]: Columbia TriStar Home Entertainment, 2004.
[124]
Peter Bogdanovich, ‘The Last Picture Show [videorecording]’. [Online]. Available: http://webcat.warwick.ac.uk/search~S15?/Xlast+picture+show&searchscope=15&SORT=DZ/Xlast+picture+show&searchscope=15&SORT=DZ&extended=0&SUBKEY=last+picture+show/1%2C22%2C22%2CB/frameset&FF=Xlast+picture+show&searchscope=15&SORT=DZ&1%2C1%2C
[125]
J. Furthman et al., ‘Rio bravo’. Warner Home Video (UK) [distributor], London, 2009 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0168F1BD?bcast=123561863
[126]
L. Mulvey, ‘Visual Pleasure and Narrative Cinema’, 2008 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=abcfc280-b643-e611-80bd-0cc47a6bddeb
[127]
R. Wood and British Film Institute, Rio Bravo, vol. BFI film classics. London: British Film Institute, 2003.
[128]
P. Cook and P. Dodd, Women and Film: a ‘Sight and Sound’ Reader. London: Scarlet Press, 1993.
[129]
A. Doty, Making Things Perfectly Queer: Interpreting Mass Culture. Minneapolis: University of Minnesota Press, 1993.
[130]
Alexander Doty, Making Things Perfectly Queer: Interpreting Mass Culture. [Online]. Available: http://lib.myilibrary.com/Open.aspx?id=523274&src=0
[131]
J. Hill and P. C. Gibson, The Oxford Guide to Film Studies. Oxford: Oxford University Press, 1998.
[132]
B. Wilder et al., ‘Some Like it Hot’, vol. Cinema reserve. Twentieth Century Fox Home Entertainment, Santa Monica, CA, 2007 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/001AAE13?bcast=123176062
[133]
K. Douglas et al., ‘Build my Gallows High’. BBC2, [U.K.], 2008 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/000BCE03?bcast=123085974
[134]
H. Hawks, ‘To Have and Have Not’. [s.n.], [UK], 1997 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/000EBF54?bcast=27336832
[135]
C. Lederer et al., ‘Gentlemen Prefer Blondes’. Twentieth Century Fox Home Entertainment, [S.l.], 2006 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/001CB98F?bcast=58837918
[136]
L. Martel et al., ‘The Headless Woman’. New Wave Films, [United Kingdom], 2010.
[137]
T. Adorno, ‘The Culture Industry: Enlightenment as Mass Destruction’, 1997 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=90f4e5dc-8143-e611-80bd-0cc47a6bddeb
[138]
M. M. Delgado and R. W. Fiddian, ‘La Mujer sin cabeza / The Headless Woman: (Lucrecia Martel, 2008): silence, historical memory and metapho’, Manchester: Manchester University Press, 2013 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=200a1bb5-8c43-e611-80bd-0cc47a6bddeb
[139]
J. Slobodian, ‘Analyzing the Woman Auteur: The Female/Feminist Gazes of Isabel Coixet and Lucrecia Martel’, The Comparatist, vol. 36, no. 1, pp. 160–177, 2012, doi: 10.1353/com.2012.0006. [Online]. Available: http://0-muse.jhu.edu.pugwash.lib.warwick.ac.uk/article/477150
[140]
C. Sosa, ‘A Counter-Narrative of Argentine Mourning: The Headless Woman (2008), directed by Lucrecia Martel’, Theory, Culture & Society, vol. 26, no. 7–8, pp. 250–262, 2009, doi: 10.1177/0263276409349279. [Online]. Available: http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/10.1177/0263276409349279
[141]
J. Andermann, New Argentine Cinema, vol. Tauris world cinema series. London: I.B. Tauris, 2012.
[142]
L. Martel, ‘La Cienaga (The Swamp) [DVD]’. [Online]. Available: http://www.amazon.co.uk/Cienaga-Swamp-DVD-Mercedes-Mor%C3%A1n/dp/B0042PG274/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455714788&sr=1-1&keywords=la+cienaga
[143]
P. Giorgelli et al., ‘Las Acacias’. Film4, [England], 2012 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/02CDBADA?bcast=122924679
[144]
J. J. Campanella et al., ‘The Secret in their Eyes’. BBC4, [U.K.], 2013 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/01E33111?bcast=121146745
[145]
B. Nichols, ‘How Can We Define Documentary Film?’, in Introduction to documentary, 2nd ed., Bloomington: Indiana University Press, 2010, pp. 1–41 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=80a9a1c0-b843-e611-80bd-0cc47a6bddeb
[146]
M. Atkinson, ‘Line in the Sand’, Sight & Sound, vol. 25, no. 11, pp. 40–44, 2015 [Online]. Available: http://0-search.proquest.com.pugwash.lib.warwick.ac.uk/docview/1727441649?accountid=14888
[147]
Stella Bruzzi, New Documentary. [Online]. Available: http://lib.myilibrary.com/Open.aspx?id=55327&src=0
[148]
S. Bruzzi, New Documentary, 2nd ed. London: Routledge, 2006.
[149]
B. Winston and British Film Institute, The Documentary Film Book. Basingstoke, United Kingdom: Palgrave Macmillan, 2013.
[150]
B. A. McLane, A New History of Documentary Film, Second edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc, 2013.
[151]
P. Brennan, C. McDevitt, J. Baker, A. Maysles, D. Maysles, and British Broadcasting Corporation, ‘Salesman’. BBC, [U.K.], 2006.
[152]
J. Oppenheimer, A. Congo, H. Koto, and S. Arifin, ‘The Act of Killing’. Dogwoof DVD, [U.K.] [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/059705F6?bcast=108795473
[153]
B. Ruiz, PBS Distribution (Firm), and Public Broadcasting Service (U.S.), ‘Reportero’. PBS Distribution, Arlington, VA.
[154]
S. Schwarz, ‘Narco Cultura [DVD]’, 2013. [Online]. Available: http://www.amazon.co.uk/Narco-Cultura-DVD-Region-NTSC/dp/B00GHH9HJA/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455716500&sr=1-1&keywords=narco+cultura
[155]
D. Villeneuve, ‘Sicario [DVD]’, 2015. [Online]. Available: http://www.amazon.co.uk/Sicario-DVD-Emily-Blunt/dp/B016AN4EMK/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455716594&sr=1-1&keywords=sicario
[156]
A. Bregman et al., ‘Friends with Money’. Sony Pictures Home Entertainment, [London] [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/BUF4DE721?bcast=123305061
[157]
M. Schreiber, ‘Independence at What Cost? Economics and Desire in Nicole Holofcener’s Friends with Money (2006)’, 2011 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=183d905b-cd43-e611-80bd-0cc47a6bddeb
[158]
V. F. Perkins, ‘Direction and Authorship’, 1993 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=5d058cd5-2050-e611-80c6-005056af4099
[159]
S. Brayton, ‘`Mexican’ labor in the Hollywood Imaginary’, International Journal of Cultural Studies, vol. 11, no. 4, pp. 459–476, 2008, doi: 10.1177/1367877908096054. [Online]. Available: http://0-journals.sagepub.com.pugwash.lib.warwick.ac.uk/doi/10.1177/1367877908096054
[160]
B. K. Grant, Auteurs and Authorship: a Film Reader. Oxford: Blackwell Pub, 2008.
[161]
V. W. Wexman, Film and Authorship, vol. Rutgers depth of field series. New Brunswick, N.J.: Rutgers University Press, 2003.
[162]
A. Bregman et al., ‘Lovely and Amazing’. BBC2, [U.K.], 2007 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0057B0CD?bcast=50689291
[163]
N. Holofcener, ‘Walking And Talking [DVD]’, 1996. [Online]. Available: http://www.amazon.co.uk/Walking-Talking-All-Region-Compatible/dp/B009R4GA72/ref=sr_1_16?s=dvd&ie=UTF8&qid=1455719341&sr=1-16&keywords=nicole+holofcener
[164]
A. Berg, ‘Every Secret Thing [DVD]’, 2014. [Online]. Available: http://www.amazon.co.uk/Every-Secret-Thing-Region-1/dp/B00XIF8GF0/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455719730&sr=1-1&keywords=every+secret+thing
[165]
N. Holofcener et al., ‘Please Give’. Sony Pictures Home Entertainment, [United Kingdom], 2011.
[166]
C. Perkins, ‘Beyond Indiewood: The Everyday Ethics of Nicole Holofcener’, Camera Obscura: Feminism, Culture, and Media Studies, vol. 29, no. 1_85, pp. 137–159, 2014, doi: 10.1215/02705346-2408543. [Online]. Available: http://0-cameraobscura.dukejournals.org.pugwash.lib.warwick.ac.uk/content/29/1_85/137
[167]
G. King, C. Molloy, and Y. Tzioumakis, American Independent Cinema: Indie, Indiewood and Beyond. Abingdon, Oxon: Routledge, 2013.
[168]
G. King, Indie 2.0: Change and Continuity in Contemporary American Indie Film, vol. International library of the moving image. London: I.B. Tauris, 2014.
[169]
P. Biskind, Miramax Films, and Sundance Channel, Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film. London: Bloomsbury, 2004.
[170]
C. P. Sellors, Film Authorship: Auteurs and Other Myths, vol. Short cuts : introductions to film studies. London: Wallflower Press, 2010.
[171]
R. Miller et al., ‘The Ballad of Jack & Rose’. Entertainment in Video, [England], 2005 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0070A69A?bcast=109612521
[172]
R. Miller, ‘Personal Velocity [DVD]’, 2003. [Online]. Available: http://www.amazon.co.uk/Personal-Velocity-DVD-Kyra-Sedgwick/dp/B0000A33QJ/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455722133&sr=1-1&keywords=personal+velocity
[173]
M. Harron, The Notorious Bettie Page [DVD]. 2005 [Online]. Available: http://www.amazon.co.uk/Notorious-Bettie-Page-DVD/dp/B000MX7YGI/ref=sr_1_1?s=dvd&ie=UTF8&qid=1455722307&sr=1-1&keywords=the+notorious+bettie+page
[174]
X. Grobet et al., ‘Enough Said’. 20th Century Fox Home Entertainment, [London] [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/068B7EF6?bcast=121767131
[175]
R. Lister, ‘The Feature Film as Short Story: The "Little Disturbances” of Nicole Holofcener’, 2012 [Online]. Available: http://www.nottingham.ac.uk/scope/issues/2012/october-issue-24.aspx
[176]
C. Holmlund and J. Wyatt, Contemporary American Independent Film: from the Margins to the Mainstream. London: Routledge, 2005 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=62f840e6-a843-e611-80bd-0cc47a6bddeb
[177]
A. Gregory, ‘Nicole Holofcener Nails It - The New Yorker’, 2013. [Online]. Available: http://www.newyorker.com/culture/culture-desk/nicole-holofcener-nails-it
[178]
A. O. Scott, ‘The Woman Who Knew Too Much - The New York Times’, 2013. [Online]. Available: http://www.nytimes.com/2013/09/18/movies/enough-said-stars-james-gandolfini-and-julia-louis-dreyfus.html?_r=1
[179]
J. Vineyard, ‘How to Make a Movie: Nicole Holofcener on the Difference Between Directing Movies and TV’ -- Vulture’, 2013. [Online]. Available: http://www.vulture.com/2013/10/nicole-holofcener-on-directing-tv-vs-movies.html#
[180]
‘Nicole Holofcener - IMDb’. [Online]. Available: http://www.imdb.com/name/nm0392237/
[181]
M. Harron et al., ‘American psycho’. Lions Gate Films, [Santa Monica, Calif.], 2005.
