1.
Smith T. Introduction: Contemporary Art Inside Out. In: What Is Contemporary Art?. The University of Chicago Press; 2009:1-10. https://contentstore.cla.co.uk/secure/link?id=a114a964-4fd9-e911-80cd-005056af4099
2.
Foster H, ed. Art since 1900: Modernism, Antimodernism, Postmodernism. Second edition. Thames & Hudson; 2011.
3.
Harrison C, Wood P. Art in Theory, 1900-2000: An Anthology of Changing Ideas. New ed. Blackwell; 2003.
4.
Hopkins D. After Modern Art: 1945-2000. Oxford University Press; 2000.
5.
Stiles K, Selz P. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Vol 35. University of California Press; 1996.
6.
Macdonald S. A Century of Art and Design Education: From Arts and Crafts to Conceptual Art. Lutterworth Press; 2005.
7.
John Hansard Gallery. The Artist and the Academy: Issues in Fine Art Education and the Wider Cultural Context. (De Ville N, Foster SC, eds.). John Hansard Gallery
8.
From Floor to Sky: The Experience of the Art School Studio. A. & C. Black; 2010.
9.
Llewellyn N, ed. London Art Schools. Tate Publishing; 2015.
10.
Singerman H. Art Subjects: Making Artists in the American University. University of California Press; 1999.
11.
Tickner L. Hornsey 1968: The Art School Revolution. Frances Lincoln; 2008.
12.
Williamson B. Recent Developments in British Art Education: ‘Nothing Changes from Generation to Generation except the Thing Seen’. Visual Culture in Britain. 2013;14(3):356-378. doi:10.1080/14714787.2013.817845
13.
Hopkins D. After Modern Art: 1945-2000. Oxford University Press; 2000.
14.
Warhol A, Buchloh BHD. Andy Warhol. Vol 2. (Michelson A, ed.). MIT Press
15.
Monitor: Pop Goes the Easel. https://learningonscreen.ac.uk/ondemand/index.php/prog/00B3E902?bcast=30467651
16.
Crow TE. The Long March of Pop: Art, Music, and Design, 1930-1995. Yale University Press; 2014.
17.
Hamilton R. Collected Words: 1953-1982. Thames & Hudson
18.
Massey A. The Independent Group: Modernism and Mass Culture in Britain,  1945-59. Manchester University Press; 1995.
19.
Mellor D, Barbican Art Gallery. The Sixties Art Scene in London. Phaidon Press; 1994.
20.
Wilson S. The World Goes Pop. (Morgan J, Frigeri F, eds.). Tate Publishing; 2015.
21.
Paolozzi’s Pop New Brutalist World: Rothenstein Lecture – Tate Papers | Tate. https://www.tate.org.uk/research/publications/tate-papers/21/paolozzis-pop-new-brutalist-world
22.
Crow TE. The Rise of the Sixties: American and European Art in the Era of Dissent. Laurence King; 2004.
23.
Madoff SH. Pop Art: A Critical History. University of California Press; 1997.
24.
Newman M, Bird J, eds. Rewriting Conceptual Art. Reaktion Books; 1999. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2846439__SRewriting%20Conceptual%20Art%2C__P0%2C1__Orightresult__U__X6?lang=eng&suite=cobalt
25.
Rorimer A. New Art in the 60s and 70s: Redefining Reality. Thames & Hudson; 2001.
26.
Harrison C, Wood P. Art in Theory, 1900-2000: An Anthology of Changing Ideas. New ed. Blackwell; 2003.
27.
Buchloh BHD. Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions. October. 1990;55. doi:10.2307/778941
28.
Stiles K, Selz P. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Vol 35. University of California Press; 1996.
29.
Newman M, Bird J, eds. Rewriting Conceptual Art. Reaktion Books; 1999. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2846439__SRewriting%20Conceptual%20Art%2C__P0%2C1__Orightresult__U__X6?lang=eng&suite=cobalt
30.
Phillpot C. Booktrek: Selected Essays on Artists’ Books (1972-2010). Vol 10. (Bovier L, ed.). JRP/Ringier; 2013.
31.
Kastner J, Wallis B. Land and Environmental Art. Phaidon; 1998.
32.
Smithson R, Flam JD. Robert Smithson: The Collected Writings. University of California Press; 1996.
33.
Smithson R, Flam JD. Robert Smithson: The Collected Writings. University of California Press; 1996.
34.
Kastner J, Wallis B. Land and Environmental Art. Phaidon; 1998.
35.
Thornes JE. A Rough Guide to Environmental Art. Annual Review of Environment and Resources. 2008;33(1):391-411. doi:10.1146/annurev.environ.31.042605.134920
36.
Williams RJ. After Modern Sculpture: Art in the United States and Europe,  1965-1970. Manchester University Press; 2000.
37.
Jones A. Body Art/Performing the Subject. University of Minnesota Press; 1998.
38.
Blocker J. Where Is Ana Mendieta?: Identity, Performativity, and Exile. Duke University Press; 1999. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2846440__SWhere%20is%20Ana%20MendietaPw%3D%3D__Orightresult__U__X6?lang=eng&suite=cobalt
39.
Marina Abramović: The Body as medium (video) | Khan Academy. https://www.khanacademy.org/humanities/global-culture/conceptual-performance/v/moma-abramovic-body-as-a-medium
40.
Marina Abramović: What is performance art? (video) | Khan Academy. https://www.khanacademy.org/humanities/global-culture/conceptual-performance/v/moma-abramovic-what-is-performance-art
41.
Jones A. Body Art/Performing the Subject. University of Minnesota Press; 1998.
42.
Jones A. The Feminism and Visual Culture Reader. 2nd ed. Routledge; 2010.
43.
Blocker J. Where Is Ana Mendieta?: Identity, Performativity, and Exile. Duke University Press; 1999. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2846440__SWhere%20is%20Ana%20MendietaPw%3D%3D__Orightresult__U__X6?lang=eng&suite=cobalt
44.
Krauss RE. Bachelors. 1st MIT Press pbk. ed. MIT Press; 2000.
45.
Performance art – Art Term | Tate. https://www.tate.org.uk/art/art-terms/p/performance-art
46.
Bishop C. Participation. Whitechapel; 2006.
47.
Bazin A, Gray H. What Is Cinema? University of California Press; 2005. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2756261
48.
Rorimer A. ‘Photography: Restructuring the Pictorial’,. In: New Art in the 60s and 70s: Redefining Reality. Thames & Hudson; 2001:113-153. https://contentstore.cla.co.uk/secure/link?id=04204a5c-50d9-e911-80cd-005056af4099
49.
Benjamin W, Jennings MW, Bullock MP, et al. The Work of Art in the Age of Its Technological Reproducibility. In: Walter Benjamin: Selected Writings. 1st Harvard University Press paperback edition, 2004-2006. Belknap; 2004:101-133. https://contentstore.cla.co.uk/secure/link?id=7582dd5d-51d9-e911-80cd-005056af4099
50.
Iles C. , ‘Video and Film Space’,. In: Space, Site, Intervention: Situating Installation Art. University of Minnesota Press; 2000:252-262.
51.
Cotton C. The Photograph as Contemporary Art. Third edition. Thames & Hudson; 2014.
52.
Perry G, Wood P. Themes in Contemporary Art. Vol [bk. 4]. Yale University Press in association with the Open University; 2004.
53.
Krauss RE. Bachelors. 1st MIT Press pbk. ed. MIT Press; 2000. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2063794
54.
Paul C, ed. A Companion to Digital Art. John Wiley & Sons; 2016. https://encore.lib.warwick.ac.uk/iii/encore/search/C__St%3A%28A%20Companion%20to%20Digital%20Art%29%20a%3A%28Christiane%20Paul%29__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt
55.
Altshuler B. Collecting the New: Museums and Contemporary Art. Princeton University Press; 2005. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2994625
56.
McEvilly T. ‘Introduction’. In: Inside the White Cube: The Ideology of the Gallery Space. Expanded ed. University of California Press; 1999:7-12. https://contentstore.cla.co.uk/secure/link?id=2bc080cd-b143-e611-80bd-0cc47a6bddeb
57.
Marstine J. New Museum Theory and Practice: An Introduction. Blackwell; 2006. https://encore.lib.warwick.ac.uk/iii/encore/search/C__St%3A%28New%20Museum%20Theory%20and%20Practice.%20An%20Introduction%29%20a%3A%28Janet%20Marstine%29__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt
58.
Anderson G. Reinventing the Museum: Historical and Contemporary Perspectives on the Paradigm Shift. AltaMira Press; 2004.
59.
Barker E. Contemporary Cultures of Display. Vol 6. Yale University Press in association with the  Open University; 1999.
60.
Green C, Gardner A. Biennials, Triennials, and Documenta: The Exhibitions That Created Contemporary Art. John Wiley & Sons Ltd; 2016. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3249090
61.
Macdonald S. A Companion to Museum Studies. Vol 12. Blackwell Pub; 2006. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2834724
62.
Magnuson E. Virtual Museums. Published 8AD. https://frieze.com/article/virtual-museums
63.
Parry R, ed. Museums in a Digital Age. Routledge; 2010. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3417080
64.
Schubert K. The Curator’s Egg: The Evolution of the Museum Concept from the  French Revolution to the Present Day. One-Off Press; 2000.
65.
The Imaginary Museum: from André Malraux, to Grayson Perry. Published online 11AD. https://soundcloud.com/britishmuseum/the-imaginary-museum-from-andre-malraux-to-grayson-perry
66.
Turner Prize Timeline. https://www.tate.org.uk/whats-on/tate-britain/exhibition/turner-prize/timeline
67.
Wallace I. 10 Exhibitions That Changed the Course of Contemporary Art. Published 7AD. https://www.artspace.com/magazine/art_101/art_market/10_exhibitions_that_have_changed_the_course_of_contemporary_art-52142
68.
Smith T. Introduction to Part II: The Transnational Transition. In: Contemporary Art: World Currents. Prentice Hall; 2011.
69.
Appadurai A. Modernity at Large: Cultural Dimensions of Globalization. Vol v. 1. University of Minnesota Press; 1996. https://encore.lib.warwick.ac.uk/iii/encore/search/C__St%3A%28Modernity%20at%20Large%29%20a%3A%28Arjun%20Appadurai%29__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt
70.
Araújo E, Global Art and the Museum (Project), Internationales Forschungszentrum Kulturwissenschaften, Zentrum für Kunst und Medientechnologie Karlsruhe. The Global Art World: Audiences, Markets, and Museums. (Belting H, Buddensieg A, eds.). Hatje Cantz; 2009.
71.
O’Brien E, ed. Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms. Wiley-Blackwell; 2013.
72.
Cashell K. Aftershock: The Ethics of Contemporary Transgressive Art. I.B. Tauris; 2009.
73.
Beke L, Queens Museum of Art. Global Conceptualism: Points of Origin : 1950s-1980s. Queens Museum of Art; 1999.
74.
Harris J. The Global Contemporary Art World. First edition. Wiley Blackwell; 2017. https://encore.lib.warwick.ac.uk/iii/encore/search/C__St%3A%28The%20Global%20Contemporary%20Art%20World%29%20a%3A%28Jonathan%20Harris%29__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt
75.
Kapur G. When Was Modernism: Essays on Contemporary Cultural Practice in India. First paperback edition. Tulika; 2001.
76.
Meyer R. What Was Contemporary Art? The MIT Press; 2016.
77.
Enwezor O, Oguibe O, Institute of International Visual Arts. Reading the Contemporary: African Art from Theory to the Marketplace. inIVA; 1999.
78.
Salami G, Visonà MB. A Companion to Modern African Art. Vol 6. First edition. Wiley Blackwell; 2013. https://encore.lib.warwick.ac.uk/iii/encore/search/C__St%3A%28A%20Companion%20to%20Modern%20African%20Art%29%20a%3A%28Gitti%20Salami%29__Orightresult__U?lang=eng&suite=cobalt&fromMain=yes
79.
Smith T. What Is Contemporary Art? The University of Chicago Press; 2009.
80.
Wood P. Western Art and the Wider World. Wiley Blackwell; 2014. https://encore.lib.warwick.ac.uk/iii/encore/search/C__St%3A%28Western%20Art%20and%20the%20Wider%20World%29%20a%3A%28Paul%20Wood%29__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt
81.
Wilson S. The World Goes Pop. (Morgan J, Frigeri F, eds.). Tate Publishing; 2015.
82.
Macdonald S. Arts and Crafts to Conceptual Art. In: A Century of Art and Design Education: From Arts and Crafts to Conceptual Art. Lutterworth Press; 2005:189-222. https://contentstore.cla.co.uk/secure/link?id=b680fc3c-c8e5-e911-80cd-005056af4099
83.
de Duve T. When Form has Become Attitude – and Beyond. In: De Ville N, Foster SC, eds. The Artist and the Academy: Issues in Fine Art Education and the Wider Cultural Context. John Hansard Gallery; :23-40. https://contentstore.cla.co.uk/secure/link?id=2fdbb207-40e4-e911-80cd-005056af4099
84.
Buchloh BHD. Andy Warhol’s One Dimensional Art, 1956-1966. In: Michelson A, ed. Andy Warhol. Vol 2. MIT Press; :1-46. https://contentstore.cla.co.uk/secure/link?id=2cba68f2-39e4-e911-80cd-005056af4099
85.
Newman M, Bird J, eds. Rewriting Conceptual Art. Reaktion Books; 1999. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2846439__SRewriting%20Conceptual%20Art%2C__P0%2C1__Orightresult__U__X6?lang=eng&suite=cobalt
86.
Rorimer, A. ‘Medium as Message/ Message as Medium’. In: New Art in the 60s and 70s: Redefining Reality. Thames & Hudson; 2001:71-111. https://contentstore.cla.co.uk/secure/link?id=89c7ae3d-88e3-e911-80cd-005056af4099
87.
Smithson R. A Sedimentation of the Mind: Earth Projects (1986). In: Robert Smithson: The Collected Writings. University of California Press; 1996:100-113. https://contentstore.cla.co.uk/secure/link?id=59f446c0-38e4-e911-80cd-005056af4099
88.
Altshuler B. Collecting the New: Museums and Contemporary Art. Princeton University Press; 2005. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2994625
89.
Marstine J. New Museum Theory and Practice: An Introduction. Blackwell; 2006. https://encore.lib.warwick.ac.uk/iii/encore/search/C__St%3A%28New%20Museum%20Theory%20and%20Practice.%20An%20Introduction%29%20a%3A%28Janet%20Marstine%29__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt
90.
The Imaginary Museum: from André Malraux, to Grayson Perry by British Museum | Free Listening on SoundCloud. https://soundcloud.com/britishmuseum/the-imaginary-museum-from-andre-malraux-to-grayson-perry
91.
Ian Wallace. 10 Exhibitions That Changed the Course of Contemporary Art | Art for Sale | Artspace. https://www.artspace.com/magazine/art_101/art_market/10_exhibitions_that_have_changed_the_course_of_contemporary_art-52142
92.
Turner Prize Timeline | Tate. https://www.tate.org.uk/whats-on/tate-britain/exhibition/turner-prize/timeline
93.
Virtual Museums | Frieze. https://frieze.com/article/virtual-museums
94.
Smith T. Introduction to Part II: ‘The Transnational Transition’. In: Contemporary Art: World Currents. Prentice Hall; 2011. https://contentstore.cla.co.uk/secure/link?id=505287cf-94e6-e911-80cd-005056af4099