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Bishop, C. (2006) Participation. London: Whitechapel.
Blocker, J. (1999a) Where is Ana Mendieta?: identity, performativity, and exile. Durham, NC: Duke University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2846440__SWhere%20is%20Ana%20MendietaPw%3D%3D__Orightresult__U__X6?lang=eng&suite=cobalt.
Blocker, J. (1999b) Where is Ana Mendieta?: identity, performativity, and exile. Durham, NC: Duke University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2846440__SWhere%20is%20Ana%20MendietaPw%3D%3D__Orightresult__U__X6?lang=eng&suite=cobalt.
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Buchloh, B.H.D. (no date) ‘Andy Warhol’s One Dimensional Art, 1956-1966’, in A. Michelson (ed.) Andy Warhol. Cambridge, Massachusetts: MIT Press, pp. 1–46. Available at: https://contentstore.cla.co.uk/secure/link?id=2cba68f2-39e4-e911-80cd-005056af4099.
Cashell, K. (2009) Aftershock: the ethics of contemporary transgressive art. London: I.B. Tauris.
Cotton, C. (2014) The photograph as contemporary art. Third edition. New York, New York: Thames & Hudson.
Crow, T.E. (2004) The rise of the sixties: American and European art in the era of dissent. London: Laurence King.
Crow, T.E. (2014) The long march of pop: art, music, and design, 1930-1995. New Haven: Yale University Press.
de Duve, T. (no date) ‘When Form has Become Attitude – and Beyond’, in N. De Ville and S.C. Foster (eds) The artist and the academy: issues in fine art education and the wider cultural context. Southampton: John Hansard Gallery, pp. 23–40. Available at: https://contentstore.cla.co.uk/secure/link?id=2fdbb207-40e4-e911-80cd-005056af4099.
Enwezor, O., Oguibe, O., and Institute of International Visual Arts (1999) Reading the contemporary: African art from theory to the marketplace. London: inIVA.
Foster, H. (ed.) (2011) Art since 1900: modernism, antimodernism, postmodernism. Second edition. London: Thames & Hudson.
From floor to sky: the experience of the art school studio (2010). London: A. & C. Black.
Green, C. and Gardner, A. (2016) Biennials, triennials, and documenta: the exhibitions that created contemporary art. Chichester, West Sussex: John Wiley & Sons Ltd. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3249090.
Hamilton, R. (no date) Collected words: 1953-1982. London: Thames & Hudson.
Harris, J. (2017) The global contemporary art world. First edition. Hoboken: Wiley Blackwell. Available at: https://encore.lib.warwick.ac.uk/iii/encore/search/C__St%3A%28The%20Global%20Contemporary%20Art%20World%29%20a%3A%28Jonathan%20Harris%29__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.
Harrison, C. and Wood, P. (2003a) Art in theory, 1900-2000: an anthology of changing ideas. New ed. Malden, Mass: Blackwell.
Harrison, C. and Wood, P. (2003b) Art in theory, 1900-2000: an anthology of changing ideas. New ed. Malden, Mass: Blackwell.
Hopkins, D. (2000a) After modern art: 1945-2000. Oxford: Oxford University Press.
Hopkins, D. (2000b) After modern art: 1945-2000. Oxford: Oxford University Press.
Ian Wallace (no date) 10 Exhibitions That Changed the Course of Contemporary Art | Art for Sale | Artspace. Available at: https://www.artspace.com/magazine/art_101/art_market/10_exhibitions_that_have_changed_the_course_of_contemporary_art-52142.
Iles, C. (2000) ‘, “Video and Film Space”,’ in Space, site, intervention: situating installation art. Minneapolis: University of Minnesota Press, pp. 252–262.
John Hansard Gallery (no date) The artist and the academy: issues in fine art education and the wider cultural context. Edited by N. De Ville and S.C. Foster. Southampton: John Hansard Gallery.
Jones, A. (1998a) Body art/performing the subject. Minneapolis, Minn: University of Minnesota Press.
Jones, A. (1998b) Body art/performing the subject. Minneapolis, Minn: University of Minnesota Press.
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Kapur, G. (2001) When was modernism: essays on contemporary cultural practice in India. First paperback edition. New Delhi: Tulika.
Kastner, J. and Wallis, B. (1998a) Land and environmental art. London: Phaidon.
Kastner, J. and Wallis, B. (1998b) Land and environmental art. London: Phaidon.
Krauss, R.E. (2000a) Bachelors. 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press.
Krauss, R.E. (2000b) Bachelors. 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2063794.
Llewellyn, N. (ed.) (2015) London art schools. London: Tate Publishing.
Macdonald, S. (2005a) A century of art and design education: from Arts and Crafts to conceptual art. Cambridge: Lutterworth Press.
Macdonald, S. (2005b) ‘Arts and Crafts to Conceptual Art’, in A century of art and design education: from Arts and Crafts to conceptual art. Cambridge: Lutterworth Press, pp. 189–222. Available at: https://contentstore.cla.co.uk/secure/link?id=b680fc3c-c8e5-e911-80cd-005056af4099.
Macdonald, S. (2006) A companion to museum studies. Malden, MA: Blackwell Pub. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2834724.
Madoff, S.H. (1997) Pop art: a critical history. Berkeley, CA.: University of California Press.
Magnuson, E. (8AD) Virtual Museums. Frieze. Available at: https://frieze.com/article/virtual-museums.
Marina Abramović: The Body as medium (video) | Khan Academy (no date). Available at: https://www.khanacademy.org/humanities/global-culture/conceptual-performance/v/moma-abramovic-body-as-a-medium.
Marina Abramović: What is performance art? (video) | Khan Academy (no date). Available at: https://www.khanacademy.org/humanities/global-culture/conceptual-performance/v/moma-abramovic-what-is-performance-art.
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Marstine, J. (2006b) New museum theory and practice: an introduction. Malden, MA: Blackwell. Available at: https://encore.lib.warwick.ac.uk/iii/encore/search/C__St%3A%28New%20Museum%20Theory%20and%20Practice.%20An%20Introduction%29%20a%3A%28Janet%20Marstine%29__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.
Massey, A. (1995) The Independent Group: modernism and mass culture in Britain,  1945-59. Manchester: Manchester University Press.
McEvilly, T. (1999) ‘‘Introduction’’, in Inside the white cube: the ideology of the gallery space. Expanded ed. Berkeley, Calif: University of California Press, pp. 7–12. Available at: https://contentstore.cla.co.uk/secure/link?id=2bc080cd-b143-e611-80bd-0cc47a6bddeb.
Mellor, D. and Barbican Art Gallery (1994) The sixties art scene in London. London: Phaidon Press.
Meyer, R. (2016) What was contemporary art? Cambridge, Massachusetts: The MIT Press.
‘Monitor: Pop Goes the Easel’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00B3E902?bcast=30467651.
Newman, M. and Bird, J. (eds) (1999a) Rewriting conceptual art. London, England: Reaktion Books. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2846439__SRewriting%20Conceptual%20Art%2C__P0%2C1__Orightresult__U__X6?lang=eng&suite=cobalt.
Newman, M. and Bird, J. (eds) (1999b) Rewriting conceptual art. London, England: Reaktion Books. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2846439__SRewriting%20Conceptual%20Art%2C__P0%2C1__Orightresult__U__X6?lang=eng&suite=cobalt.
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Rorimer, A. (2001b) New art in the 60s and 70s: redefining reality. London: Thames & Hudson.
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