Bibliography for FR121: The Story of Modern France BETA

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‘Abd Al Malik : reprend la route’ (no date). Available at: https://web.archive.org/web/20070704163451/http://www.musicactu.com/actualite-musique/67025/abd-al-malik-reprend-la-route/.

Adda, J. and Smouts, M.-C. (1989) La France face au Sud: le miroir brisé. Paris: Karthala.

Aron, R. (1968) La révolution introuvable: réflexions sur les événements de mai. Paris: Fayard.

Artus, H. (2012) ‘Abd Al Malik : « Etre musulman fait partie de l’identité française »’. Available at: http://rue89.nouvelobs.com/rue89-culture/2012/02/20/abd-al-malik-etre-musulman-fait-partie-de-lidentite-francaise-229442.

Ashcroft, B., Griffiths, G. and Tiffin, H. (1995) The post-colonial studies reader. London: Routledge.

Ashcroft, B., Griffiths, G. and Tiffin, H. (2006) The post-colonial studies reader. 2nd ed. London: Routledge.

Audiard, J. (1995) ‘Un héros très discret: A self made hero’.

Bacholle-Bošković, M. (2003) ‘La Guerre d’Algérie expliquée à nos enfants’, The French Review, 76(5), pp. 968–982. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3133234.

Barclay, F. (2013) France’s colonial legacies: memory, identity and narrative. Cardiff: University of Wales Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2760138.

Barry, P. (2009a) Beginning theory: an introduction to literary and cultural theory. 3rd ed. Manchester, UK: Manchester University Press.

Barry, P. (2009b) Beginning theory: an introduction to literary and cultural theory. 3rd ed. Manchester, UK: Manchester University Press.

Barry, P. (2009c) Beginning theory: an introduction to literary and cultural theory. 3rd ed. Manchester, UK: Manchester University Press.

Barthes, R. (1963) Sur Racine. Paris: Éditions de Seuil.

Barthes, R. (1964) Essais critiques. Paris: Éditions du Seuil.

Barthes, R. (1970) S/Z. Paris: Éditions du Seuil.

Barthes, Roland (1984a) ‘La mort de l’auteur’, in Le bruissement de la langue: essais critiques IV. Paris: Editions du Seuil, pp. 61–67. Available at: https://contentstore.cla.co.uk/secure/link?id=d77be4ad-5620-e711-80c9-005056af4099.

Barthes, Roland (1984b) Le bruissement de la langue: essais critiques IV. Paris: Editions du Seuil.

Barthes, R (1984) ‘Modernité de Michelet’, in Le bruissement de la langue: essais critiques IV. Paris: Editions du Seuil, pp. 239–242. Available at: https://contentstore.cla.co.uk/secure/link?id=d67be4ad-5620-e711-80c9-005056af4099.

Bennett, A. and Royle, N. (2004) An introduction to literature, criticism and theory. 3rd ed. Harlow, England: Pearson/Longman.

Benoît Peeters (1993) La bande dessinée. [Paris]: Flammarion.

Bersani, L. (1976) A future for Astyanax: character and desire in literature. Boston: Little, Brown.

Bertens, J.W. (2014) Literary theory: the basics [electronic resource]. 3rd ed. London: Routledge. Available at: http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/isbn/9780203488836.

Betts, C.J. (1985) ‘On the Beginning and Ending of “Candide”’, The Modern Language Review, 80(2). Available at: https://doi.org/10.2307/3728661.

Bishop, M. and Elson, C. (2002) French prose in 2000. Amsterdam: Rodopi.

Blatt, J. (ed.) (1998a) The French defeat of 1940: reassessments. [Providence R.I.]: Berghahn Books. Available at: http://ebookcentral.proquest.com/lib/warw/detail.action?docID=1337783.

Blatt, J. (1998b) The French defeat of 1940: reassessments. Providence [R.I.]: Berghahn Books.

Bocquet, J.-L. and Pierre-Adolphe, P. (1997) Rap ta France. [Paris]: Flammarion.

Boozer, J. (2008) Authorship in film adaptation. Austin: University of Texas Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2925923.

Bordwell, D. and Thompson, K. (2013) Film art: an introduction. Tenth edition. New York: McGraw-Hill.

Boullant, F. (2003) Michel Foucault et les prisons. Paris: Presses universitaires de France.

Bourderionnet, O. (2011) ‘A “Picture-Perfect” Banlieue Artist: Abd Al Malik or the Perils of a Conciliatory Rap Discourse’, French Cultural Studies, 22(2), pp. 151–161. Available at: https://doi.org/10.1177/0957155810396063.

BOURG, J. (2003) ‘Hello to all that: Rescuing May 1968’, French Cultural Studies, 14(1), pp. 117–126. Available at: https://doi.org/10.1177/0097155803014001007.

Bowie, M. (1993) Psychoanalysis and the future of theory. Oxford: Blackwell.

Braun, T.E.D., Sturzer, F. and Meyer, M.D. (1988) ‘Teaching Candide-A Debate’, The French Review, 61(4), pp. 569–577. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/393842.

Burke, P. (2002) ‘Context in Context’, Common Knowledge, 8(1), pp. 152–177. Available at: https://doi.org/10.1215/0961754X-8-1-152.

Burke, S. (1995) Authorship: from Plato to the postmodern : a reader. Edinburgh: Edinburgh University Press.

Burke, S. (2008) The death and return of the author: criticism and subjectivity in Barthes, Foucault and Derrida. 3rd ed. Edinburgh: Edinburgh University Press.

Burrin, P. (1996) Living with defeat: France under the German occupation, 1940-1944. London: Arnold.

Butler, J. (1999) Gender trouble: feminism and the subversion of identity [electronic resource]. New York: Routledge. Available at: http://site.ebrary.com/lib/warwick/Doc?id=10054731.

Butler, J. (2006) Gender trouble: feminism and the subversion of identity. New York: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2703454.

Candide (no date). Available at: http://candide.nypl.org/text/.

Candide - Illustrationen eines Klassikers (no date). Available at: http://candide.uni-trier.de/index.php?lang=en.

Candide ou l’Optimisme de Voltaire (no date). Available at: http://www.bacdefrancais.net/candide-voltaire.php.

Capdevielle, J. and Mouriaux, R. (1988) Mai 68: l’entre-deux de la modernité : histoire de trente ans. Paris: Presses de la Fondation nationale des sciences politiques.

Caughie, J. (1981) Theories of authorship: a reader. London: Routledge & Kegan Paul in association with the British Film Institute.

Cave, T. (2007) ‘Documenting the Self’, in How to read Montaigne. London: Granta, pp. 83–95. Available at: https://contentstore.cla.co.uk/secure/link?id=71cf87a2-5a20-e711-80c9-005056af4099.

Celestin, R. (1990) ‘Montaigne and the Cannibals: Toward a Redefinition of Exoticism’, Cultural Anthropology, 5(3), pp. 292–313. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/656510.

Chambers, I. (1985) Urban rhythms: pop music and popular culture. Basingstoke: Macmillan.

Childs, P. and Williams, P. (1997) An introduction to post-colonial theory. London: Prentice Hall Harvester Wheatsheaf.

Condé, M. (1999) Le cœur à rire et à pleurer: contes vrais de mon enfance. Paris: R. Laffont.

Condé, M., Pfaff, F. and Condé, M. (1996) Conversations with Maryse Condé. Lincoln: University of Nebraska Press.

Cook, P. (2007) The cinema book. 3rd ed. London: BFI.

Cornick, M. and Crossley, C. (eds) (2000) Problems in French history. New York: St. Martin’s Press.

Corrigan, T. (2015) A short guide to writing about film. Ninth edition, global edition. Boston: Pearson Education Ltd. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2917857.

Cottenet-Hage, M. and Moudileno, L. (2002a) Maryse Condé: une nomade inconvenante : mélanges offerts à Maryse Condé. Petit-Bourg: Ibis rouge.

Cottenet-Hage, M. and Moudileno, L. (2002b) Maryse Condé: une nomade inconvenante : mélanges offerts à Maryse Condé. Petit-Bourg: Ibis rouge.

Cottenet-Hage, M. and Moudileno, L. (2002c) Maryse Condé: une nomade inconvenante : mélanges offerts à Maryse Condé. Petit-Bourg: Ibis rouge.

Cuddon, J.A. (2013) A dictionary of literary terms and literary theory [electronic resource]. 5th ed. Chichester, West Sussex, UK: Wiley-Blackwell, A John Wiley & Sons, Ltd., Publication. Available at: http://0-onlinelibrary.wiley.com.pugwash.lib.warwick.ac.uk/book/10.1002/9781118325988.

Cuddon, J.A. (2014) The Penguin dictionary of literary terms and literary theory. [Fifth edition]. Edited by R. Habib et al. London: Penguin Books.

Davis, C. (2004) After poststructuralism: reading, stories and theory. London: Routledge.

Davis, O. (2010) Jacques Ranciere. Cambridge: Polity.

Denis, J. (no date) ‘Rap domestiqué, rap révolté’. Available at: https://www.monde-diplomatique.fr/2008/09/DENIS/16290.

Derrida, J. (1976) Of grammatology. Baltimore: Johns Hopkins University Press.

Derrida, J. and Spivak, G.C. (1997) Of grammatology. Corrected ed. Baltimore: Johns Hopkins University Press.

Diamond, H. (2007) Fleeing Hitler: France 1940. Oxford: Oxford University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2912319.

Dinnerstein, D. (1977) The mermaid and the minotaur: sexual arrangements and human malaise. New York: Harper Colophon.

Dobson, J. (2008) ‘Jacques Audiard: Contesting Filiations’, in Five directors: auteurism from Assayas to Ozon. Manchester: Manchester University Press, pp. 38–58. Available at: https://contentstore.cla.co.uk/secure/link?id=b4e788c7-5820-e711-80c9-005056af4099.

Dollimore, J. and Sinfield, A. (1985) Political Shakespeare: new essays in cultural materialism. Manchester: Manchester University Press.

Downing, L. (2008) The Cambridge introduction to Michel Foucault. Cambridge, UK: Cambridge University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SThe%20Cambridge%20introduction%20to%20Michel%20Foucault%20Downing__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

Drake, H. (2011a) Contemporary France. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Drake, H. (2011b) Contemporary France. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Durand, A.-P. (2002) Black, blanc, beur: rap music and hip-hop culture in the francophone world. Lanham, Md: Scarecrow Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2824981.

Duval, E.M. (1983) ‘Lessons of the New World: Design and Meaning in Montaigne’s “Des Cannibales” (I:31) and “Des coches” (III:6)’, Yale French Studies [Preprint], (64). Available at: https://doi.org/10.2307/2929953.

Eagleton, Terry (1983) Literary theory: an introduction. Oxford: Blackwell.

Eagleton, T (1983) ‘Psychoanalysis.’, in Literary theory: an introduction. Oxford: Blackwell, pp. 151–193. Available at: https://contentstore.cla.co.uk/secure/link?id=2bd3cd99-5520-e711-80c9-005056af4099.

Eagleton, T. (2011) Literary Theory: An Introduction [electronic resource]. 2nd ed. Hoboken: John Wiley & Sons. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__SLiterary%20Theory%3A%20An%20Introduction%20eagleton__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

Eribon, D. (2011) ‘La lecon des tenebres’, in Michel Foucault. [3e] éd. revue et enrichie. Paris: Flammarion. Available at: https://contentstore.cla.co.uk/secure/link?id=c542c3cf-5a20-e711-80c9-005056af4099.

‘Ethnologie française’ (1998). Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/i40044539.

Evans, M., Godin, E. and Evans, M. (2014) France since 1815 [electronic resource]. 2nd ed. London: Routledge. Available at: http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/doi/view/10.4324/9780203784693.

Fauré, C. (2008) Mai 68 en France: ou, La révolte du citoyen disparu. Paris: Empêcheurs de penser en rond.

Fenby, J. (2011) The General: Charles De Gaulle and the France he saved. London: Simon & Schuster.

Fine, S. (2010) ‘Freedom of Association Is Not the Answer’, Ethics, 120(2), pp. 338–356. Available at: https://doi.org/10.1086/649626.

Footitt, H. (2004a) War and liberation in France: Living with the liberators [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://0-www.palgraveconnect.com.pugwash.lib.warwick.ac.uk/doifinder/10.1057/9780230509979.

Footitt, H. (2004b) War and liberation in France: living with the liberators. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Forbes, J. (1999) ‘Politicians and performers: Un heros tres discret’, Australian Journal of French Studies, 36(1), pp. 125–135. Available at: http://0-online.liverpooluniversitypress.co.uk.pugwash.lib.warwick.ac.uk/loi/ajfs.

Forman, M. and Neal, M.A. (no date) That’s the joint!: the hip-hop studies reader. 2nd ed. New York: Routledge.

Forsdick, C., Grove, L. and McQuillan, L. (2005) The Francophone bande dessinée. Amsterdam: Rodopi. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2939078.

Forsdick, C. and Murphy, D. (2003) Francophone postcolonial studies: a critical introduction. London: Arnold.

Foucault, M. (1984) Histoire de la sexualité. Paris: Gallimard.

Foucault, M. (1993) Surveiller et punir: naissance de la prison. [Paris]: Gallimard.

Foucault, M. et al. (1994) Dits et écrits, 1954-1988. Paris: Gallimard.

Fournier-Lanzoni, R. (2015) French cinema: from its beginnings to the present. Second edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc.

Frame, D. (1969) ‘The Subject as self : The Essay’, in Montaigne’s Essais: a study. Englewood Cliffs, New Jersey: Prentice-Hall, pp. 32–41. Available at: https://contentstore.cla.co.uk/secure/link?id=3f8b45db-5620-e711-80c9-005056af4099.

Frame, D.M. (1969) Montaigne’s Essais: a study. Englewood Cliffs, N.J.: Prentice-Hall.

Frame, D.M. (1973) Montaigne’s ‘Essais’: a study. Englewood Cliffs: Prentice-Hall.

Freud, S. (1990) Art and literature: Jensen’s Gradiva, Leonardo da Vinci and other works. Harmondsworth: Penguin.

Frith, S. (1998) Performing rites: evaluating popular music. Oxford: Oxford University Press.

Garland, D. (1986) ‘Review: Foucault’s “Discipline and Punish”--An Exposition and Critique’, American Bar Foundation Research Journal, 11(4), pp. 847–880. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/828299.

Gaunt, S. (2003) ‘The Chanson de Roland and the Invention of France’, in Rethinking heritage: cultures and politics in Europe. London: I.B. Tauris, pp. 90–101. Available at: https://contentstore.cla.co.uk/secure/link?id=8e8861a0-5620-e711-80c9-005056af4099.

Gildea, R. (2003) Marianne in chains: in search of the German occupation 1940-1945. London: Pan.

Goscinny, R. and Uderzo, A. (2006) Astérix le Gaulois. Ed. de luxe. Paris: Hachette.

Green, M.J.M. (1996) Postcolonial subjects: francophone women writers. Minneapolis, Minn: University of Minnesota Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2908032.

Greene, V.E. (2006) The medieval author in medieval French literature. 1st ed. Houndmills, Basingstoke, Hampshire, England: Palgrave Macmillan. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2906862.

Grimaud, M. (1977) En mai, fais ce qu’il te plaît. Paris: Stock.

Groensteen, T. (2005) La bande dessinée: une littérature graphique. Nouv. éd. Toulouse: Milan.

Groensteen, T. (no date) Comics and narration. Jackson: University Press of Mississippi. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2719445.

Guild, E. (2014) Unsettling Montaigne: poetics, ethics and affect in the Essais and other writings. Cambridge: D.S. Brewer. Available at: http://encore.lib.warwick.ac.uk/iii/encore/search/C__S%20Unsettling%20Montaigne%3A%20poetics%2C%20ethics%20and%20affect%20in%20the%20Essais%20and%20other%20writings__Ff%3Afacetmediatype%3Ah%3Ah%3AE-Book%3A%3A__Orightresult__U__X0?lang=eng&suite=cobalt.

Gyssels, K., Hoving, I. and Bowers, M.A. (2001) Convergences and interferences: newness in intercultural practices = ecritures d’une nouvelle ère/aire. New York, NY: Rodopi.

Hadjiafxendi, K. and Mackay, P. (2007) Authorship in context: From the theoretical to the material [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://0-www.palgraveconnect.com.pugwash.lib.warwick.ac.uk/doifinder/10.1057/9780230206120.

Haigh, S. (1999) ‘Introduction  (in: An introduction to Caribbean Francophone writing: Guadeloupe and Martinique)’, in An introduction to Caribbean Francophone writing: Guadeloupe and  Martinique. Oxford: Berg, pp. 1–16. Available at: https://contentstore.cla.co.uk/secure/link?id=8d8861a0-5620-e711-80c9-005056af4099.

Hanley, D.L. and Kerr, A.P. (eds) (1989) May ’68: coming of age. Basingstoke: Macmillan in assoc. with the Graduate School of European and International Studies, University of Reading and the Association for the Study of Modern and Contemporary France.

Hargreaves, A.G. (2005) Memory, empire, and postcolonialism: legacies of French colonialism. Lanham, Md: Lexington Books.

Hartman, G.H. (1978) Psychoanalysis and the question of the text. Baltimore: Johns Hopkins University Press.

Hartman, G.H. (1985) Psychoanalysis and the question of the text [electronic resource]. Johns Hopkins paperbacks ed. Baltimore: Johns Hopkins University Press. Available at: http://0-hdl.handle.net.pugwash.lib.warwick.ac.uk/2027/heb.06529.0001.001.

Hayward, S. (2005) French national cinema. 2nd ed. London: Routledge. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2347201.

Hazareesingh, S. (2012) In the shadow of the general: modern France and the myth of De Gaulle. New York: Oxford University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3029645.

Herpe, N. (1999) ‘Jacques Audiard on Un Héros très discret’, in Projections 9: French film-makers on film-making. London: Faber, pp. 175–182. Available at: https://contentstore.cla.co.uk/secure/link?id=91ed088d-5520-e711-80c9-005056af4099.

Hesmondhalgh, D. and Negus, K. (2002) Popular music studies. London: Arnold.

Hewitt, L. (2002) ‘Vérités des fictions autobiographiques’, in Maryse Condé: une nomade inconvenante : mélanges offerts à Maryse Condé. Petit-Bourg: Ibis rouge, pp. 163–168. Available at: https://contentstore.cla.co.uk/secure/link?id=6a4260e2-5a20-e711-80c9-005056af4099.

Horne, A. (1977) A savage war of peace: Algeria, 1954-1962. London (etc.): Macmillan.

Horne, A. (2011) A savage war of peace: Algeria, 1954-1962. New York: New York Review Books. Available at: http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=730783.

‘In Our Time, Voltaire’s Candide’ (3AD). BBC Radio 4. Available at: http://www.bbc.co.uk/programmes/b01gvthf.

Irrmann, L. and Carion, C. (2015) En mai, fais ce qu’il te plaît. [Paris]: Flammarion.

Jackson, J. (2001a) France: the Dark Years, 1940-1944 [electronic resource]. Oxford: OUP Oxford. Available at: http://WARW.eblib.com/patron/FullRecord.aspx?p=829409.

Jackson, J. (2001b) France: the dark years, 1940-1944. Oxford: Oxford University Press.

Jackson, J. (2003) The fall of France: the Nazi invasion of 1940. Oxford: Oxford University Press.

Jennifer M. Dueck (2007) ‘The Middle East and North Africa in the Imperial and Post-Colonial Historiography of France’, The Historical Journal, 50(4), pp. 935–949. Available at: https://doi.org/10.1017/S0018246X07006449.

Johnson, E.L. (2008) ‘Departures and Arrivals: Home in Maryse Condé’s Le Coeur à rire et à pleurer’, in GENDER AND DISPLACEMENT: ‘HOME’ IN CONTEMPORARY FRANCOPHONE WOMEN’S AUTOBIOGRAPHY. MIDDLESEX: CAMBRIDGE SCHOLARS PR LTD, pp. 15–34. Available at: https://contentstore.cla.co.uk/secure/link?id=0b61a187-5a20-e711-80c9-005056af4099.

Jon Cowans (1991) ‘French Public Opinion and the Founding of the Fourth Republic’, French Historical Studies, 17(1), pp. 62–95. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/286279.

Jones, C.M. (2014) ‘The Historical and Poetic Context.’, in An introduction to the chansons de geste. Gainesville: University Press of Florida, pp. 1–25. Available at: https://contentstore.cla.co.uk/secure/link?id=3329d337-5920-e711-80c9-005056af4099.

Kay, S., Cave, T. and Bowie, M. (2006) A short history of French literature. Oxford: Oxford University Press. Available at: http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2240246.

Kedward, H.R. (1985) Occupied France: collaboration and resistance 1940-1944. Oxford: Blackwell.

Kedward, H.R. and Austin, R. (1985) Vichy France and the Resistance: culture & ideology. London: Croom Helm.

Kedward, H.R. and Wood, N. (eds) (1995) The Liberation of France: image and event. Oxford [England]: Berg.

Kinoshita, S. (2006) ‘“Pagans Are Wrong and Christians Are Right”: From Parias to Crusade in the Chanson de Roland.’, in Medieval boundaries: rethinking difference in Old French literature. Philadelphia: University of Pennsylvania Press, pp. 15–45. Available at: https://contentstore.cla.co.uk/secure/link?id=3129d337-5920-e711-80c9-005056af4099.

Kjørholt, I.H. (2012) ‘Cosmopolitans, Slaves, and the Global Market in Voltaire’s Candide, ou l’optimisme’, Eighteenth-Century Fiction, 25(1), pp. 61–84. Available at: https://doi.org/10.1353/ecf.2012.0059.

Klingele, M.M. (2013) ‘Voice and Resistance in Maryse Condé’s Le Cœur à rire et à pleurer: Dynamics of Race, Gender, and Écriture Féminine’, Honors Projects, Paper 7. Available at: http://digitalcommons.iwu.edu/french_honproj/7/.

Krims, A. (2000) Rap music and the poetics of identity. Cambridge: Cambridge University Press.

La Chanson de Roland: Lettres Gothiques - Le Livre de Poche (no date). Available at: http://www.livredepoche.com/la-chanson-de-roland-collectif-9782253053415.

Lamarque, P. (2006) ‘The intentional fallacy.’, in Literary theory and criticism: an Oxford guide. New York: Oxford University Press, pp. 177–178. Available at: https://contentstore.cla.co.uk/secure/link?id=3a86ce11-5720-e711-80c9-005056af4099.

Langer, U. (ed.) (2005a) The Cambridge Companion to Montaigne. Cambridge: Cambridge University Press. Available at: http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CCOL0521819539.

Langer, U. (2005b) The Cambridge companion to Montaigne. Cambridge: Cambridge University Press.

Lauten, K. (1999) ‘“Dusting off” Dehousse: Un Héros très discret (Audiard, 1996)’, in French cinema in the 1990s: continuity and difference. Oxford: Oxford University Press, pp. 58–68. Available at: https://contentstore.cla.co.uk/secure/link?id=77e9e4ed-5420-e711-80c9-005056af4099.

Lestringant, F. (1997a) Cannibals: the discovery and representation of the cannibal from  Columbus to Jules Verne. Berkeley: University of California Press.

Lestringant, F. (1997b) Cannibals: the discovery and representation of the cannibal from Columbus to Jules Verne. Cambridge: Polity Press.

Licops, D. (2012) ‘Reading and Danger: The Emerging Writer in Maryse Condé’s and Gisèle Pineau’s Autofiction’, Women in French Studies, 2012(1), pp. 248–264. Available at: https://doi.org/10.1353/wfs.2012.0039.

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