1.
Bolter JD, Grusin RA. Part I: Theory. In: Remediation: Understanding New Media. MIT Press; 1999:1-64. https://contentstore.cla.co.uk/secure/link?id=4ffd9d83-6c86-e711-80cb-005056af4099
2.
Hayles K, Pressman J, eds. Comparative Textual Media: Transforming the Humanities in the Postprint Era. Vol Electronic mediations. University of Minnesota Press; 2013. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2869938
3.
Smith A. The Accidental. 1st American ed. Pantheon Books; 2005.
4.
Egan J. A Visit from the Goon Squad. Corsair; 2011. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2869976
5.
Dinnen Z. "This is all artificial”: An Interview with Jennifer Egan. Published online 2016. http://post45.research.yale.edu/2016/05/this-is-all-artificial-an-interview-with-jennifer-egan/
6.
Egan J. Black Box. The New Yorker. Published online 2012. http://www.newyorker.com/magazine/2012/06/04/black-box-2
7.
Bolter JD, Grusin RA. Remediation: Understanding New Media. MIT Press; 1999.
8.
Lerner B. 10:04: A Novel. First edition. Faber and Faber, Inc., an affiliate of Farrar, Straus and Giroux; 2014.
9.
Kember S, Zylinska J. Life after New Media: Mediation as a Vital Process. MIT Press; 2012. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2976280
10.
Erll A, Rigney A. Mediation, Remediation, and the Dynamics of Cultural Memory. De Gruyter; 2012. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2869984
11.
Stiegler B. Memory. In: Critical Terms for Media Studies. The University of Chicago Press; 2010:66-87. https://contentstore.cla.co.uk/secure/link?id=6eac7575-316d-e711-80cb-005056af4099
12.
Haraway DJ. Manifestly Haraway. Vol Posthumanities. University of Minnesota Press; 2016. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3066365
13.
Sebald WG, Bell A, Wood J. Austerlitz. 10th anniversary modern library trade paperback edition. Modern Library; 2011.
14.
Cole T. Selections from Blind spot. In: Blind Spot. Faber & Faber; 2017. https://contentstore.cla.co.uk/secure/link?id=73297c3e-ebbe-e711-80cb-005056af4099
15.
Barthes R. Camera Lucida: Reflections on Photography. Vintage; 1993.
16.
Hayles NK. My Mother Was a Computer: Digital Subjects and Literary Texts. University of Chicago Press; 2005. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb2939856
17.
Ishiguro K. Never Let Me Go. Faber; 2010.
18.
McCarthy T. Remainder. New edition. Alma Books; 2015.
19.
Cusk R. Outline. Vintage; 2015.
20.
Alexis A. Fifteen Dogs: A Novel. Serpent’s Tail; 2015.
21.
Gitelman L. Introduction. In: Paper Knowledge: Toward a Media History of Documents. Vol Sign, storage, transmission. Duke University Press; 2014:1-20.
22.
Gitelman L. Xerographers of the Mind. In: Paper Knowledge: Toward a Media History of Documents. Vol Sign, storage, transmission. Duke University Press; 2014:83-110.
23.
Stoicheff P, Taylor A. Introduction: Architectures, Ideologies, and Materials of the Page. In: Stoicheff P, Taylor A, eds. The Future of the Page. Vol Studies in book and print culture. University of Toronto Press; 2004:3-26. https://contentstore.cla.co.uk/secure/link?id=adaea9aa-cc67-e711-80cb-005056af4099
24.
Manguel A. Turning the Page. In: Stoicheff P, Taylor A, eds. The Future of the Page. Vol Studies in book and print culture. University of Toronto Press; 2004:27-36.
25.
Danielewski MZ. House of Leaves. 2nd ed. Doubleday; 2001.
26.
Bechdel A. Fun Home: A Family Tragicomic. Houghton Mifflin; 2007.
27.
Smith A. How to Be Both. Penguin Books; 2015.
28.
Peters JD. The Marvelous Clouds: Toward a Philosophy of Elemental Media. the University of Chicago Press; 2015.
29.
Starre A. Metamedia: American Book Fictions and Literary Print Culture after Digitization. University of Iowa Press; 2015. http://encore.lib.warwick.ac.uk/iii/encore/record/C__Rb3022558
30.
Duncan D, ed. Tom McCarthy: Critical Essays. Vol 6. Gylphi; 2016.